Another day, another LARB piece about reading Russian fiction in conjunction with the Winter Olympics. (One particularly interesting earlier installment is over here.) Meanwhile, I offer a compendium of passages from the Russian masters, and use my favorite #SochiFails to illustrate them.
Mavis Gallant, who passed away a year ago this February, published a total of a hundred and sixteen short stories in The New Yorker, which puts her on par with short story factories like John Cheever and John Updike. Yet by the time she died, she was penniless and alone, a fact which worried the few people in Paris who knew her well. In The Walrus, David MacFarlane examines what her writing meant to him. Pair with: Laurel Berger on her own fascination with the author.
“Why should Serena not respond to racism? In whose world should it be answered with good manners? The notable difference between black excellence and white excellence is white excellence is achieved without having to battle racism. Imagine.” Claudia Rankine writes for The New York Times Magazine about tennis player Serena Williams, racism in sports, and white privilege. Pair with our own Michael Bourne’s list of books that “shed light on the history and evolution of racism in America.”
In a longform piece for The Atlantic Diane Saverin writes about Annie Dillard‘s Pilgrim at Tinker Creek, the predominantly male tradition of wilderness-writing, and how Dillard found and wrote about the wild while living in suburbia. She also wrestles with the question: “if the author conveys a resonant truth, does it matter what experiences led to the realizations?”
Hey look, several pieces of ours are in the running to win 3 Quarks Daily Arts and Literature Prizes! On their voting page, you can cast your ballot for James McWilliams’s piece on Faulkner, our own Hannah Gersen’s appreciation of Friday Night Lights, or our own Nick Ripatrazone’s essay on teaching English, among other nominees.