When did Twitter turn into a place of public shame, outrage, and apology? Alexander Chee examines the changing culture in an essay for Dame Magazine. “Oh, Internet, place of the ultimate writerly paradox, where things you write quickly for little or no money last forever.” Our own Mark O’Connell explored something similar in his New Yorker essay on the public humiliation of regrettable tweets.
It’s just been announced that The Sound of Things Falling by Colombian author, Juan Gabriel Vásquez, translated from the Spanish by Canadian Anne McLean, is the winner of the 2014 International IMPAC DUBLIN Literary Award (and the €100,000 prize money). We discussed the Prize’s shortlist when it was released back in 2013, and profiled The Sound of Things Falling in our “Great Second-Half 2013 Book Preview.” Congratulations to Juan Gabriel Vásquez, and be sure to check out his prize-winning novel!
Recommended Reading: This fantastic essay by Lea Page at The Rumpus on memory, family, and a whole lot more than that: “There could be no argument, no defense. It was, in a literal sense, true. I had said that.Sure, she had left out a significant portion of the truth, but in doing so, she had revealed another. That was the one memory my mother cleaved to. That was the song she chose to sing of me. I was still losing at memory.”
What happens when a literary fiction writer tackles YA? If that writer is Sherman Alexie, he produces an award-winning book that rivals the quality of his books in other genres. At the Ploughshares blog, Annie Cardi writes about writers who’ve made this transition, including Alexie, Roddy Doyle and Louise Erdrich. You could also read our survey of high school students on the best YA books of 2013.
The Guardian interviews Year in Reading alumna Ottessa Moshfegh about her writing life, noir fiction, and her novel Eileen. As she puts it, “I’m interested in taking establishment genre and turning it on its head. I didn’t really set out to write a noir novel and I don’t know if I exactly have.”