When did Twitter turn into a place of public shame, outrage, and apology? Alexander Chee examines the changing culture in an essay for Dame Magazine. “Oh, Internet, place of the ultimate writerly paradox, where things you write quickly for little or no money last forever.” Our own Mark O’Connell explored something similar in his New Yorker essay on the public humiliation of regrettable tweets.
Parentheses aren’t just the mark of a lazy or verbose writer. They can also bracket personal pain in a narrative. At The New York Review of Books, Christopher Benfey explores the power of the parenthetical detail, such as Lolita‘s “My very photogenic mother died in a freak accident (picnic, lightning) when I was three.” Pair with: Vulture’s “The 5 Best Punctuation Marks in Literature.”
We didn’t catch it in time for our big preview, but Kazuo Ishiguro’s forthcoming novel The Buried Giant, now has an official U.S. release date of March 2015. The novel is the author’s first in 10 years, and his British publisher says it will be about “lost memories, love, revenge and war.”
Mystery author James Patterson has written a novel called The Murder of Steven King that apparently describes the eponymous author’s death at the hands of a deranged fan. While King declined to comment on the book, he has in the past said of Patterson that the latter is “a terrible writer but he’s very successful.” And now you must read our editor-in-chief Lydia Kiesling’s essay, “Everything I Know About America I Learned from Stephen King.”