Having grown up in Russia, New Republic senior editor Julia Ioffe is in a uniquely good position to cover the Sochi Olympics, which is why she’s writing regular dispatches from this year’s Winter Games. On Saturday, she published a piece about one of the sadder (yet more predictable) developments of the Games: foreign journalists are bombarding gay residents of Sochi with questions and requests for interviews. (She’s also manning the magazine’s Instagram feed.)
The best longread you’re likely to find this afternoon: Martin Amis talks to David Wallace-Wells about his latest novel, Lionel Asbo: State of England, America’s decline, politics, porn, post-modernism and more. Amis even dodges another attempt to bring up that book he wrote about videogames that nobody will let him live down.
In an interview with the Guardian about Canada, Richard Ford talks about America: “I never had much conceptual idea of Canada being better. But whenever I go there, I feel this fierce sense of American exigence just relent. America beats on you so hard the whole time.” Also see: Michael Bourne’s review of the novel.
According to the title of Matt Steinglass‘ new essay (a qualified rebuttal of Katie Roiphe‘s recent piece “The Naked and the Conflicted“), “Today’s Male Novelists Do Write Exuberant Sex Scenes, But Mostly Lesbian Ones“
“As a speaker of a small language, it can be alarming to hear the rapidly increasing influx of new words from a dominant force. Back in 2000, linguistics researcher Sylfest Lomheim caused upheaval by claiming the Norwegian language wouldn’t survive the next century. Is this the beginning of the end?” On the Anglicization of Norwegian.
Out this week: Can’t and Won’t by Lydia Davis; What Would Lynne Tillman Do by Lynne Tillman; In Paradise by the late Peter Matthiessen; Family Life by Akhil Sharma; Talking to Ourselves by Andrés Neuman; I Pity the Poor Immigrant by Zachary Lazar; The Opposite of Loneliness by Marina Keegan; The Plover by Adam Doyle; The Word Exchange by Alena Graedon; and a new biography of John Updike by Adam Begley.