Recommended Reading: Zadie Smith’s latest short story, “Moonlit Landscape with Bridge,” at The New Yorker. “The Minister got stuck on a sentence: I am further from my village now than I have ever been. Italicized just like that, in his mind.”
New Zadie Smith
Did You Say Sudoku
“Tsundoku: the acquiring of reading materials followed by letting them pile up and subsequently never reading them.” Do you buy books and let them languish? According to Ozy, there’s a Japanese word for that. Might we encourage your tsundoku habit by encouraging you to look at this list of our favorite October releases?
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Mantel Takes the Costa
Hilary Mantel added a Costa Book Award to her evermore decorated mantle following a unanimous vote in favor of her latest historical novel, Bring Up the Bodies.
Graduating from Hogwarts
J.K. Rowling will be releasing her first novel for adults on Little, Brown and Co. Details are set to come out later this year.
Ferlinghetti’s Journals Forthcoming
95-year-old Lawrence Ferlinghetti plans to publish his travel journals in September 2015, reports SFGate. The journals should cover his experience as a submarine chaser in World War II through his doctoral studies at the Sorbonne, as well as his travels through Central and South America later on.
George Saunders Interview
George Saunders, author of In Persuasion Nation, has a great dialogue with former student Patrick Dacey on “steering towards the rapids” when writing. (via @BOMBMagazine)
Sensible Tourists
Recommended Reading: Over at The Offing, a new story by Joy Williams describes what happens when a sad group of American tourists goes to Cornwall, England.
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Best American Notables at The Millions
We’re proud to report that “Beautiful Babies” by our editor Lydia Kiesling and “Summer without End” by Wayne Scott were both named “Notable Essays” in the 2016 edition of The Best American Essays, edited by Jonathan Franzen.
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Bad Credit
As we noted here recently about the rise and fall of Motown, the real issue was money — who earned it, who kept it, who never saw it. Now Barrett Strong, who co-wrote and sang the Detroit label’s first hit in 1959, “Money (That’s What I Want),” tells The New York Times that he never saw a penny of royalties for a song that became a classic and generated millions of dollars for the label. Strong’s story is the story of Motown boiled down to its bitter, ironic essence.
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