Recommended Reading: new Scott McClanahan. I repeat: new Scott McClanahan.
“Being someone who’s an outsider, there are so many ways in which the world acts on you or assigns narratives to you.” Literary Hub interviews author Azareen Van der Vliet Oloomi about literature, identity, and her new novel, Call Me Zebra. From our archives: Nur Nasreen Ibrahim's review of Call Me Zebra.
Edmund White considers writers’ obsession with New York City in the 1970s, with photography by Peter Hujar. As White puts it, that was “a place and a time in which, rich or poor, you were stuck together in the misery (and the freedom) of the place, where not even money could insulate you.”
"If one-sentence stories are as common as snowflakes, one-sentence novels are as rare as white ravens." At The New Yorker, Brad Leithauser writes about the one-sentence novel or the point when the story builds to a particular sentence. To give you an example, here's one of his favorites from Lolita: "I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art."