Neomysterativity

Curiosities
February 24, 2014 | 2

The term “academic writing” is controversial, not least because it implies that academics have an odd and persnickety way of writing. In a blog post for The New Yorker, Joshua Rothman examines the genre, looking back on his time in grad school to argue that academic writing is a “fraught and mysterious thing.”

is a staff writer for The Millions and an MFA candidate at Johns Hopkins. Prior to coming to Baltimore, he studied literature and worked in IT while living in Dublin, Ireland. You can find him on Twitter at @tdbeckwith.

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Curiosities

Battle of Editors

Curiosities
April 11, 2014
When a novel is printed in multiple countries, it often has more than one editor. Slate interviews Emma Donoghue; her American editor, Judy Clain; and her Canadian editor, Iris Tupholme, about how they all edited Frog Music. They discuss everything from how to deal with editing disputes to the best way to get edits. "I much prefer to get everyone’s opinions separately, because if I got a single editorial letter, it would be like getting a note from God!" Donoghue says. For more on the editing process, read about our own Edan Lepucki's relationships with her copy editor and editor.
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2 comments:

  1. Looking forward to reading this article to explore what seems a foreign land to me. I don’t have any personal experience with it, but from the stories I’ve heard about dissertations, to me it sounds nightmarish, especially the preliminary requirements of making sure you’ve read EVERYTHING ever written about your topic (e.g., Jane Austen’s elbow). I would fear a perpetual distraction that would lead me from Jane Austen’s elbow, to her lace sleeve, to a lace factory in Milan, to the current state of competition of Italian lace makers with China, to Chinese characters, thus to the art store to buy some new brushes and paint.

    Thus goes the life of those who float along like tumbleweeds. Our ilk is best suited to (short) poetry as we lack the stern focus and iron spine of the academics. :)

    Moe Murph
    First Job Out Of School Working In Harvard School of Architecture Mailroom With 10th-Year PhD. in Irish Medieval Studies

  2. Can’t resist. the 10th Year PhD in above message was a towering, broad woman with a shock of long, bright-read hair. She wore a purple cape, pinned with a Celtic medal pin that floated behind her as she strode the Yard to the architecture school.

    She was in pitched battles with the Medieval Studies Department (who wanted her out if her paper wasn’t in that year), with her Advisor, and with the Administrator for the architecture school, where she ran the mailroom. She was a great pitcher of battles.

    I don’t remember what she was writing about, could have been cloud patterns in Ulster or something, but I expected the difficulty may have been that Harvard, the department, and medieval Irish weather all refused to bend to her will. She told a great story about a professor who would stride into department events, sit down, and demand in a Falstaffian voice of the wait staff:

    “Brrrriiinnnggggggg Me My Brie!”

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Curiosities

Give Not a Fig

Curiosities
April 30, 2016
"Maybe Gnossos, had [Richard] Fariña lived long enough for a sequel, would have wound up on a commune in Canada, nibbling feta and blissed out on retsina, exhaling paregoric joints in some lush and fragrant garden ... But he died in his twenties, like a lot of energetic young men of his era. It was the kind of romantic death we feel we understand almost too well, a promising talent suspended, that sense of exemption he wrote about—from mediocrity, from bourgeois compromise and midlife disappointment—a membrane forever intact." On the enduring joys and exuberant voice of Richard Fariña's Been Down So Long It Looks Like Up To Me.
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Curiosities

Hiding Under the Covers

Curiosities
July 19, 2013
The book cover is in decline, Tim Kreider writes. "It seems as if sixty-five per cent of all novels’ jackets feature an item of female apparel and/or part of the female anatomy and the name of some foodstuff in the title—the book-cover equivalent of the generic tough-guy-with-gun movie poster with title like '2 HARD & 2 FAST.'" We judge books by their covers, too.
Curiosities