Last November, the University of Southern California announced that it would stop offering a Masters in Professional Writing, ending a program that counts Richard Yates and Hubert Selby, Jr. among its faculty alumni. At The Nervous Breakdown, Aram Saroyan (son of William) looks back on his time as an instructor.
New this week: How to Set a Fire and Why by Jesse Ball; I Am No One by Patrick Flanery; The Long, Hot Summer by Kathleen MacMahon; The Trap by Melanie Raabe; Absalom’s Daughters by Suzanne Feldman; The Dream Life of Astronauts by Patrick Ryan; and Angels of Detroit by Christopher Hebert.
“We can work harder to mourn, get better at it, connect it better to how we live, how we care for people, how we educate people. It’s politics, for me.” ZYZZYVA interviews Max Porter about his Grief Is the Thing with Feathers. Pair with Lidia Yuknavitch’s Millions essay on grief and art.
The world isn’t exactly wanting for character studies of Captain Ahab, but Chris Power manages to come up with a novel analysis of the character in this essay about the Moby-Dick antagonist. In Power’s telling, Ahab was valuable in part for what he told us about the 20th century — namely, he foreshadowed the dictators and despots to come. You could also read Hester Blum’s contribution to this essay about the best American novels.
Art is about connecting the dots, Amanda Palmer proposed in her keynote address on creativity and sharing art in the internet age at the 2013 Grub Muse Literary Conference earlier this month. “For every bridge you build together with your community of readers, there’s a new set of trolls who sit underneath it,” she said about the internet.