Recommended Reading: People Who Eat Darkness author Richard Lloyd Parry’s stunning essay on Reverend Kaneda, a Japanese monk performing exorcisms to solve his region’s “ghost problem.”
“In such circumstances, how could there fail to be a swarm of ghosts?”
RIP Harry Crews
Dwight Garner, Maud Newton, and Jason Diamond are among the many to mourn the passing of Harry Crews this past week. "Few writers," Garner writes of Crews, "could touch his authority and muscle."
“Call Me” – Ishmael
Another phone-related book project: Call Me Ishmael, a site that collects stories about reading and life via voicemail messages. The instructions are simple: call Ishmael at 774-325-0503 and leave him a message "about a book you love and a story you have lived." Several of these messages are transcribed and posted online every week but, if we're being honest, we appreciate this project for the pun as much as for the stories.
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One of Ireland’s Lesser Known Sons
For those aching for more Ireland in the wake of Bloomsday, here's a piece about noir-master Raymond Chandler's childhood in Waterford.
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Tuesday New Release Day: Pochoda, Schine, Bolaño
New this week: Visitation Street by Ivy Pochoda, Fin & Lady by Cathleen Schine, and, available for the first time ever as ebooks, Roberto Bolaño's masterpieces 2666 and The Savage Detectives. There are many, many more anticipated books on offer in our big second-half preview, published this week.
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What’s in a Name?
Why would anyone write a book anonymously? Maria Bustillos ponders anonymity at The New Yorker. "Anonymous is more than a pseudonym. It is a stark declaration of intent: a wall explicitly thrown up, not only between writer and reader, but between the writer’s work and his life."
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The Truth about Fiction
Leslie Pietrzyk wonders why readers are so eager to assume that a fictional story happened in real life. She asks, “Why is that always the question fiction writers are asked? Why do readers insist on knowing if the story that held them enthralled was ‘real’?”
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In Moominland
"After [WWII], the other Finnish artists formed themselves into political groups but Tove wasn’t a joiner; besides, the only political activity she enjoyed was tyrant-baiting. She decided to emigrate to the island kingdom of Tonga but the governor wrote back saying there was a housing shortage and she wouldn’t be welcome. So she created her own Tonga: Moominland." A new biography looks at the "conflicted life" and creative work of Tove Jansson, whose name has appeared several times here at The Millions.