What happens when you put one of the biggest literary egos together with music’s biggest ego? A movie. Bret Easton Ellis is working with Kanye West on a film. “He came and asked me to write the film,” Ellis told Vice. “I didn’t want to at first. Then I listened to Yeezus…I thought, regardless of whether I’m right for this project, I want to work with whoever made this.” This is an interesting pairing because Kanye definitely isn’t a reader.
In Kanye Land
“manuals for a thinking person”
Jed Perl on Susan Sontag's journals: "The fascination of Sontag’s prose—and its sadness—is in the extent to which she is describing herself as a person who can never really get beyond a schematic kind of thinking and feeling."
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Crying with John Green
Watching your book be adapted into a film can be a challenge for an author. At Vulture, John Green discusses his involvement in The Fault in Our Stars adaptation, which he has nothing but positive things to say about. "It was a joke on the movie that I cried every day. But I cried every day because they were good every day!" The film's full trailer was released this week, and in case you still haven't read the novel, here's our review.
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High Fantasy
You may have heard that Kazuo Ishiguro recently published his first novel in more than ten years. The Buried Giant, which takes place in Arthurian England, is a departure for Ishiguro, a work of overt fantasy. At Slate, our own Mark O’Connell provides his take on the book. You could also read our own Lydia Kiesling’s review.
Record-A-Poem
Celebrate National Poetry Month by recording a poem for the Poetry Foundation.
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RIP John Ashbery
The New York Times is reporting that the poet John Ashbery has died. A major figure in American letters, Ashbery won the Pulitzer Prize, the National Book Award and the National Book Critics Circle Award in a single year for his book Self-Portrait in a Convex Mirror. The full Times obituary has more.
Ugly Mugs
Recommended Reading: Walker Rutter-Bowman on Arthur Bradford’s Turtleface and Beyond. Pair with Jonathan Russell Clark’s review of the book.
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