What happens when you put one of the biggest literary egos together with music’s biggest ego? A movie. Bret Easton Ellis is working with Kanye West on a film. “He came and asked me to write the film,” Ellis told Vice. “I didn’t want to at first. Then I listened to Yeezus…I thought, regardless of whether I’m right for this project, I want to work with whoever made this.” This is an interesting pairing because Kanye definitely isn’t a reader.
For Public Books, Matthew Clair considers authoritative black knowledge in intellectual practices and “the logic of racial authenticity,” which “stipulates both that black intellectuals have a particular responsibility to represent, in both senses of that word, ‘their’ people, and that, as racial insiders, they are uniquely capable of doing so.”
“Start with the novel’s climax (often the first thing you know about it, its most striking moment) and work backward, asking why-why-why. Then write forward.” Nell Zink at The Lithub on how to become a novelist in 10 easy steps. See also our interview with Zink from last week.
James Gleick, writing for the New York Review of Books, looks at how the Library of Congress has begun “stockpiling the entire Twitterverse, or Tweetosphere, or whatever we’ll end up calling it” in order to create a modern-day “library of Babel.” I’ll admit that it sounds insane to collect the tweets of ~500 million users, so instead I offer an alternative. Let’s just record everything RT’d by Pentametron2013 for posterity, eh?