What happens when you put one of the biggest literary egos together with music’s biggest ego? A movie. Bret Easton Ellis is working with Kanye West on a film. “He came and asked me to write the film,” Ellis told Vice. “I didn’t want to at first. Then I listened to Yeezus…I thought, regardless of whether I’m right for this project, I want to work with whoever made this.” This is an interesting pairing because Kanye definitely isn’t a reader.
Shirley Clarke, older sister of Elaine Dundy (who wrote Millions favorite The Dud Avocado), was an Academy Award-winning filmmaker. If you’re curious about her work, you’ll be happy to learn that Milestone Films will soon begin their Shirley Clarke Project by releasing her restored documentaries, and on Friday, May 4th, they’ll be releasing her first film, The Connection. You can check out a trailer here. (via)
Who knew? Here’s a handy infographic from Electric Literature that highlights seventeen films you probably didn’t know were based off of books.
Kirkus Reviews has announced the winners of this year’s Kirkus Prize, bestowed annually to authors of fiction, nonfiction and young readers’ literature. The 2015 winners are Hanya Yanagihara (for her A Little Life, who we interviewed), Ta-Nehisi Coates (for Between the World and Me, which we published an essay about), and Pam Muñoz Ryan (for Echo).
Joe Kubert died this week at the age of 85. Perhaps best known as the DC comics legend responsible for such characters as Sgt. Rock, Hawkman, Enemy Ace, and Tor, Kubert was also the founder of The Kubert School, the only accredited trade school for comic book artists in the country. You can check out a video of Kubert talking about digital comics over here.
What was the very first ebook? It’s hard to say with any degree of precision, but a pretty good candidate is Peter James’s Host, which was copied and stored on a floppy disk back in 1993. At The Guardian, a look back at the early life of the format. You could also read David Rothman’s tribute to the ebook pioneer Michael Hart. (h/t The Paris Review)
“Writing gives me great feelings of pleasure. There’s a marvelous sense of mastery that comes with writing a sentence that sounds exactly as you want it to. It’s like trying to write a song, making tiny tweaks, reading it out loud, shifting things to make it sound a certain way. It’s very physical. I get antsy. I jiggle my feet a lot, get up a lot, tap my fingers on the keyboard, check my e-mail. Sometimes it feels like digging out of a hole, but sometimes it feels like flying. When it’s working and the rhythm’s there, it does feel like magic to me.” Susan Orlean on why she writes.
Following up her post about Judy Blume’s Forever, our own Lydia Kiesling writes about Vladimir Nabokov’s Lolita for PEN American Center’s ongoing series for Banned Books Month. It’s a book, Kiesling writes, which serves as an “exhibition of a uniquely talented person at the zenith of his powers.” (This isn’t the first time she’s discussed the book, by the way.)