“There must be a cat. It must purr constantly.” Writers often have odd routines before they start writing. At McSweeney’s, John Babbott gives his outrageous demands. Pair with: Our piece on our quirky writing habitats and habits.
Boston has announced the country's first "Literary Culture District," marked by memorials to Edgar Allen Poe and Sylvia Plath. It also includes some arguably less interesting sites - the buildings that used to house The Atlantic Monthly and Little, Brown and Company, for example. Caroline O'Donovan writes critically about the new district for The Baffler and concludes that "we’ve allowed glib cultural ideals to occlude economic realities, and tourism tax dollars to triumph over a candid conversation about the origins of art and the sustainability of its production."
"You should feel embarrassed when what you’re reading was written for children," Ruth Graham wrote in Slate last week, stirring the proverbial pot of new adult fans of Young Adult bestsellers like The Fault in Our Stars and Eleanor & Park. A host of YA-defenders rose up to shout her down. "You should never be embarrassed by any book you enjoy," Hillary Kelly responds in The New Republic, unrealistically (we're embarrassed by quite a lot). For the Washington Post, Alyssa Rosenberg cites examples of worthwhile, complex YA fiction we can certainly support: The Chronicles of Narnia, The Pushcart War, A Wrinkle in Time, and The Westing Game.
City of Quartz author Mike Davis is writing a biography of the Los Angeles Times' bygone publisher Harrison Gray Otis. Appropriately, the installments will be serialized by the Los Angeles Review of Books.
The Coffin Factory, a "magazine for people who love books," interviews New Directions' Barbara Epler and Tom Roberge about "publishing and finding bold, new experiments in literature from around the world." (via)