In observance of Black History Month, the Oxford African American Studies Center is granting free online access to its archives. Simply enter the login name “blackhistorymonth” and use the password, “onlineaccess.”
Black Country, the debut book of poetry by Liz Berry, won this year’s Forward prize for best first collection. At The Guardian, Ben Wilkinson writes about the ways in which the book “digs deep into the poet’s West Midlands roots, enlivening and reimagining the heritage of that eponymous heartland of iron foundries, coal mines and steel mills, on both personal and public footings.”
“Could I write a novel about fugues in the form of a fugue?” Margot Singer wonders in The Paris Review, remembering the process of writing her first novel and considering other authors – Joyce, Nabokov, Woolf – who have tried to compose words musically. See also: our own Jacob Lambert on whether to write with background music on.
Even those who detest the sport can feel the joys of reading Roger Angell’s baseball writing. Case in point: his latest dispatch, in which he remarks on a recent triple play by saying, “What’s great about [triple plays] isn’t really their scarcity but the fact that they beautifully illustrate the invisible force that hovers about each pitch and play and inning and game in this pausing, staccato, and inexorably accruing pastime: the laws of chance.”
Every so often, a piece comes along that rends the fragile mind, employing a devil’s portion of mundane details to lay bare the inescapable futility of all human endeavor. This is the only rational way to describe this piece at The Awl, which takes the form of a conversation between Karl Ove Knausgaard and True Detective’s Nic Pizzolatto.
Granta has published translated writing from Nobel Prize winner Svetlana Alexievich. She writes: “In 1986 I had decided not to write about war again. For a long time after I finished my book War’s Unwomanly Face I couldn’t bear to see a child with a bleeding nose. I suppose each of us has a measure of protection against pain; mine had been exhausted. Two events changed my mind.” Find out more about Alexievich here.
In the near future, Google may use your surrounding sights and sounds to help advertisers target you. Over at Gizmodo, Mat Honan eloquently argues against just this type of thing, and states that “the case against Google is for the first time starting to outweigh the case for it.”