A new Hemingway App promises to trim the fat from your writing in a way that the Great Bearded One would’ve approved. The app uses various color codes to highlight writing written in the passive voice, writing that’s too hard to read, and also unnecessary adverbs or complex phrases. Sounds interesting enough, no? Well, the problem is that someone ran the Hemingway App on some actual Ernest Hemingway writing, and it turns out that Papa himself didn’t even write to the app’s standard.
For Sale: Hemingway App, Doesn’t Work.
The Limits of Good Taste
In his review of a collection of rejected New Yorker covers titled Blown Covers: New Yorker Covers You Were Never Meant To See, Jeet Heer details the magazine's history of straddling the divide between bourgeoisie complacency and bohemian angst.
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“The best house bourbon was Ten High”
Following up their publication of Charles Portis’s “Motel Life, Lower Reaches" online, the Oxford American brings us a speech in verse by Jay Jennings, the editor of a recent compilation of Portis’s work (which our own Bill Morris reviewed). Jennings delivered an ode to Portis to mark the author winning the Porter Prize Lifetime Achievement Award. Sample quote: “But you read the next book because the main character was from Little Rock,/and you knew no other book where the main character was from Little Rock/and you wanted to write a book about Little Rock."
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Bread, Bread, Bread
From "Insufficient Milk And Restraint" to "Eating Berries While Pretending To Be A Monk To Make Hunger And Desperation Feel Like A Game," here is every meal from Jane Eyre ranked in terms of severity.
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Camus’ Web
Have you ever wondered what Charlotte’s Web would be like if Albert Camus joined the farm creatures? Well, someone wrote it for you at McSweeney’s. Pair with our review of Camus’ American Journals.
Hemingway broke most literary traditions and became as it were the new world erudition replacing the lyrical and classical style of Proust, Waugh etc. His masculine facade reflected perhaps the pioneer spirit of America the culmination of which was the rescue of old Europe from fascism – any writer artist etc, will tell you to study the masters by all means but only in order to find your unique and personal voice.
Has anyone tried this with an Obama speech or SOTU address?