A new Hemingway App promises to trim the fat from your writing in a way that the Great Bearded One would’ve approved. The app uses various color codes to highlight writing written in the passive voice, writing that’s too hard to read, and also unnecessary adverbs or complex phrases. Sounds interesting enough, no? Well, the problem is that someone ran the Hemingway App on some actual Ernest Hemingway writing, and it turns out that Papa himself didn’t even write to the app’s standard.
Out this week: The Mothers by Brit Bennett; The Red Car by Marcy Dermansky; Him, Me, Muhammad Ali by Randa Jarrar; Future Sex by Emily Witt; Hungry Heart by Jennifer Weiner; Upstream by Mary Oliver; and Hag-Seed by Margaret Atwood. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
It turns out even a museum exhibit of Shakespeare’s works can make for a dramatic experience. At The Daily Beast, Helen Anders demonstrates that there's a little bit for everybody at the “Shakespeare in Print and Performance” exhibition at the University of Texas. We’ve brought you a bit on the Bard before.
"'Poetry, I feel," said Sylvia Plath in a radio interview in 1962, the year before her suicide, 'is a tyrannical discipline. You've got to go so far so fast in such a small space, you've got to burn away all the peripherals.'" Fifty years after her death, an argument for close reading.
Out this week: Modern Lovers by Emma Straub; Some Possible Solutions by Helen Phillips; The Gallery of Lost Species by Nina Berkhout; Robert Parris Moses by Laura Visser-Maessen; Hot Little Hands by Abigail Ulman; and The View from the Cheap Seats: Selected Nonfiction by Neil Gaiman. For more on these and other new titles, go read our Great 2016 Book Preview.