“There’s more to life than writing and publishing fiction. There is another way entirely, amazed as I am to discover it at this late date,” Philip Roth said in an interview with Cynthia Haven for Stanford’s The Book Haven. Besides his retirement from writing, Roth also discussed why he doesn’t consider himself an American-Jewish writer and his book The Ghost Writer. For more Roth, read our essay on lessons you can learn from his work.
Fiction Friction
Translation Issue
The translation issue of The White Review is out, featuring an interview with Fiston Mwanza Mujila and a brilliant new story by Eka Kurniawan, translated by Annie Tucker.
Extremely Patient and Incredibly Careful
It looks like Jonathan Safran Foer will be publishing his first novel in eleven years next fall. The book, tentatively titled Here I Am, is the story of an American Jewish family, set against a background of traumatic events in the Middle East including earthquakes and an invasion of Israel. Foer’s last novel, Extremely Loud and Incredibly Close, enjoyed tremendous critical and commercial success. Here’s a piece on JSF’s crazy, confusing, die-cut book Tree of Codes.
New Short Story by DFW
“Every whole person has ambitions, objectives, initiatives, goals. This one particular boy’s goal was to be able to press his lips to every square inch of his own body.” The New Yorker posts a new short story, “Backbone,” by David Foster Wallace.
But When Will They Play “Free Bird?”
Meanwhile, in NPR’s recording studio, classically trained violinist Aleksey Igudesman and pianist Hyung-ki Joo perform the most original rendition of “I Will Survive” you’re going to hear all year.
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