“There’s more to life than writing and publishing fiction. There is another way entirely, amazed as I am to discover it at this late date,” Philip Roth said in an interview with Cynthia Haven for Stanford’s The Book Haven. Besides his retirement from writing, Roth also discussed why he doesn’t consider himself an American-Jewish writer and his book The Ghost Writer. For more Roth, read our essay on lessons you can learn from his work.
Fiction Friction
Sinking (and Swimming) as a Debut Novelist
At The Nervous Breakdown Marie Mutsuki Mockett writes about being uninvited from a reading in New York and other obstacles to promoting her first novel, and how she channeled her creativity to take charge of her own PR.
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“O Warbling Beauty!”
“It can be difficult to talk about Uzbek without soaring into Orientalist flights. ‘O warbling beauty of the steppe!’ I started to write, like a 19th-century lady traveler.” Our own Lydia Kiesling is in the New York Times writing about studying Uzbek and speaking Turkish.
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The man Lish fought for
It was the height of the feminist revolution and one man was trying, unsuccessfully, to publish a book about a man amidst a midlife crisis. 25 years later, Esquire editor Gordon Lish read sections of An Armful of Warm Girl in a literary magazine and demanded that Knopf reconsider publishing it (they did). This week over at Bloom, Nicki Leone dives into the work of W.M. Spackman, the man often referred to as “Fitzgerald‘s literary heir.”
Bowie is Among Us
Graywolf Press’s Poem of the Week is “Don’t You Wonder, Sometimes?” by David Bowie-fan Tracy K. Smith. She writes, “Bowie will never die. Nothing will come for him in his sleep / Or charging through his veins.” Pair with Sophia Nguyen’s Millions review of Smith’s new memoir, Ordinary Light.
A Censor’s Tour
Recommended reading: Peter Hessler writes about spending a week on tour with his Chinese censor.
Exercises in Style
Scott Esposito has rounded up some fabulous Oulipo resources over at his blog, Conversational Reading.