When did Samuel Beckett’s “fail better” become the motto of Silicon Valley? At Slate, our own Mark O’Connell traces the history of the phrase. “Fail Better, with its TEDishly counterintuitive feel, is the literary takeaway par excellence; it’s usefully suggestive, too, of the corporate propaganda of productivity, with its appeals to ‘think different’ or ‘work smarter’ or ‘just do it.'”
Epic Fail
Postcard Lit
In the latest issue of Bookslut, Madeline Monson-Rosen takes a look at A Card from Angela Carter, a biography which tells the story of the writer’s life through her long correspondence with a friend.
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Fame: A P&L
$500,000 annual home improvements? $125,000 allotted for annual “domestic salaries and expenses?” A $95,000 tutor for Gwyneth Paltrow’s 5-year old? New York Magazine‘s “Celebrity Economy” package is as thorough and informative as it is revolting.
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Zadie Smith on The Social Network
“Why Facebook? Why this format?… The striking thing about the real Zuckerberg, in video and in print, is the relative banality of his ideas concerning the ‘Why’ of Facebook. He uses the word ‘connect’ as believers use the word ‘Jesus,’ as if it were sacred in and of itself…” Zadie Smith considers “Generation Why” and The Social Network at the New York Review of Books. Our own review of The Social Network by Sonya Chung can be found here.
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The Greatest Show on Earth
“On January 14, 2017, Ringling Bros. and Barnum & Bailey Circus—America’s oldest and best circus, America’s last true touring circus—announced that it was closing, and six days later the country mourned, with an exit parade, a grand-finale funeral: the inauguration of Donald J. Trump.” Year-in-Reading alum Joshua Cohen, whose Book of Numbers spent seven months on our top-10 list back in 2015, and whose new novel Moving Kings made our most-anticipated list for the latter half of this year, reflects on the end of an era for The Point.
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The History of the Blurb
What if Petrarch had blurbed The Divine Comedy, or Shakespeare, “author of Tony Award-winning sensation Hamlet,” had reviewed Don Quixote? Tom Rachman imagines these blurbs and more for The Rumpus, and his piece pairs well with our brief history of the blurb.
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“Thus the unfacts, did we possess them, are too imprecisely few to warrant our certitude…”
Michael Chabon takes on Finnegans Wake in The New York Review of Books. This is mandatory reading, class.
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A Reader’s Manifesto
This week in book-related comics: “A Reader’s Manifesto” by Grant Snider, via Electric Literature.
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