Researchers have determined that “winning a prestigious prize in the literary world seems to go hand-in-hand with a particularly sharp reduction in ratings of perceived quality.” So if you’re very sensitive, take some solace in the fact that you haven’t won a major award, I guess.
Do You Really Want That Literary Prize?
Next time I’d like a literary juice box too.
Yesterday Maria Popova, aka the mastermind behind Brain Pickings, launched her latest project: Literary Jukebox. I’m definitely gonna recommend this to Nick Moran for his next Great Tumblr Taxonomy.
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First Printings Get Smaller
PW points out yet another publishing industry totem being torn down by the rise of e-books, the first printing number, once a signifier of how “big” publishers and the media expected a book to be: “In an era when first printings are down because e-books can account for as much as 50% of sales on frontlist titles, the term ‘first printing’ sounds more and more out of place.”
What’s Wrong with Books?
Jenny Slate and Gabe Liedman explain what’s wrong with books: “They’re heavy…the shit in them is dumb…”
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The Mad and Feral Works of Shirley Jackson
Emily Alford on the hazards of loneliness seen in Shirley Jackson's books and the ways recent film adaptations have missed the mark.
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Tuesday New Release Day: Chevalier; Makumbi; Segal; Smith-Stevens; Southwood; Bell; Hadley
Out this week: New Boy by Tracy Chevalier; Kintu by Jennifer Nansubuga Makumbi; The Awkward Age by Francesca Segal; The Australian by Emma Smith-Stevens; Evensong by Kate Southwood; Behind the Moon by Madison Smartt Bell; and Bad Dreams and Other Stories by Tessa Hadley. For more on these and other new titles, go read our most recent book preview.
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From Under a Heavy Plinth
“The story that Lee’s book tells (or tries to tell, because much evidence has been obscured or lost) is not about patience on a monument but about talent buried under a heavy plinth, and discovered only just in time—the late achievement less a measured distillation than a lifesaving decoction.” James Wood reviews Hermione Lee‘s new biography of novelist Penelope Fitzgerald for The New Yorker. Pair with Niamh Ni Mhaoileoin‘s Millions essay on the new age of biography.
Pre-Anderson
Who else read the biographies of historical figures as a kid and felt bad about not having learned Greek and Latin by age ten? Would you like to feel worse?