No one is unique; we all share names, but what if you met everyone who had the same name as you? At The Morning News, Jennifer Berman reached out to her doppelgängers. “I’ve thought about writing her. But what would I say? I’m Jennifer Berman, too?”
Do I Know You?
“Ephphatha!”
Recommended Reading: “Saliva” by Álvaro Enrigue, whose English-language debut Hypothermia was published this month by the folks at Dalkey Archive Press.
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Constraint-Based Poetry: Round Two
I didn’t expect to find a Chinese poem more ornate than Su Hui’s palindromic, pre-oulipan “Xuanji Tu,” but apparently I underestimated myself. Here’s “Lion-Eating Poet in the Stone Den,” a 92-character poem by Yuen Ren Chao which relies on the tonal variations of a single sound (shi) to tell the story of a “lion addict” with a taste for big cats. For a really crazy experience, I recommend listening to the poem being read aloud.
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Olive Kitteridge on HBO
Soon HBO will have another show based on an acclaimed book in its lineup. Olive Kitteridge, a show based on the Pulitzer Prize-winning novel by Elizabeth Strout, will premiere on November 2nd. You can see the trailer (along with a brief analysis) over at Slate. FYI, Strout wrote a Year in Reading entry for us.
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Spokane 2.0
"There are so many cool things going on in Spokane now that I have this overwhelming urge to attend a tractor pull." Jess Walter has written an addendum to his essay "Statistical Abstract for My Home of Spokane, Washington."
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Tuesday New Release Day
Out this week: Per Petterson's latest to hit American shores is I Curse the River of Time. Also newly released is Mona Simpson's My Hollywood. Mary Roach has another work of quirky non-fiction out, Packing for Mars: The Curious Science of Life in the Void. Young readers can now get their hands on the seventh book in the Artemis Fowl series, The Atlantis Complex. And grammar mavens have a new edition of the Chicago Manual of Style to add to their reference shelf.
Literary Writers in the Writers Room
Vanity Fair explores the change in attitude among the literati about writing for TV and notes that "[I]ncreasingly, the industry is ransacking bookshelves for adaptable novels and short stories. And fiction writers are becoming show-runners themselves."
Dystopian (Non)Fictions
Alexandra Alter traces how “a bleak, apocalyptic strain of post-revolutionary literature has taken root” in the Middle East following the Arab Spring.