“In its clumsy, ad hoc way, Facebook has brought death back into the public sphere in a way death hasn’t been for more than 100 years.” To celebrate Facebook’s 10th birthday, The Missouri Review has unlocked its Alexander Landfair essay on how we deal with death on Facebook. For another look at Facebook, read our essay on how the timeline changes the way we tell stories.
Digital Death
Speaking with Greenwell
Recommended Reading: The Paris Review Daily interviews Garth Greenwell, author of What Belongs to You, possibly the next great gay novel.
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How Should an Interview Be?
My Millions social media teammate Emily M. Keeler is probably too humble to write a Curiosity about her kickass interview with Sheila Heti. But not I, dear readers! Not I.
Britain’s Illuminated Manuscripts
Illuminated manuscripts such as bestiaries and bibles, prayer books and propaganda, histories and stories, each owned and annotated by kings and queens, go on display at the British Library in London. ("The Genius of Illumination", November 11-March 13)
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The End of Copyright, The Death of the Novel
Would anyone write novels in a world without copyright? According to Tim Parks, they probably would not. For more on the relationship between the market and the product, see Parks's essay on whether more money leads to better writing.
Sedaris’s Story Comes to the Big Screen
After years of rebuffing film deals and movie rights offers, David Sedaris has finally allowed one of his stories to be made into a motion picture. This month, you’ll be able to check out University of Miami alum Kyle Alvarez’s adaptation of “C.O.G.” (Child of God). You can check out a trailer over here.
Authenticity and New Orleans
Writing for n+1’s City by City series, Moira Donegan remarks on the “self-defeating contradictions” of working at a nonprofit in New Orleans. It’s a town, she writes, where most arrive to either “perform charity or to party,” and where, she feels, “many of the people who … come to help the city [are] also hurting it.” In certain ways, the piece can be read as being in conversation with Duncan Murrell’s 2012 essay for Oxford American about authenticity, preservation, posterity, and the Big Easy.
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