“At home, I dedicate occasional whole days to reading as if I’m a convalescent. The ideal place for this is the bath, where the body floats free,” Rachel Kushner told The New York Times in a “By the Book” interview. Yet just because her reading style is leisurely doesn’t mean her reading is; she discusses her love of Proust and avoidance of books known for their plots. For more Kushner, read our own interview with her or her 2013 Year in Reading post.
Bathtub Books
Taming the Land
David Gessner thinks Wallace Stegner and Edward Abbey are more relevant than they’ve ever been. Why? Their stories about the West anticipated the California drought. At Salon, Gessner explains why, among other things, Stegner spent much of his life debunking Western individualism.
“Paralysis of willpower”
Granta has a new series in which authors explain how they arrived at successful opening sentences. In the latest installment, Colombian author Héctor Abad links the brain chemistry that inspired him to write his chosen sentence with the chemistry that inspired him to fall in love with his wife.
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It Doesn’t End on Tuesday, Either
Yesterday was Fat Tuesday down in New Orleans, and if you missed the action down there, you can certainly get a taste of the local flavor by reading Rick Bragg's 1997 piece in The New York Times, "New Orleans Doesn't Wait for Friday." (via)
Two-fer from Kiš
Serbian writer Danilo Kiš, recently profiled by Sam Sacks, has two short pieces up on the Bomb! website.
Did We Mention That the Night Is Young?
The hard-partying New York Times had us seeing double this morning.
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Tuesday New Release Day: Martel; Gappah; Gallagher; Pinckney; Zweig; Welsh; Elizabeth; Chee
New this week: The High Mountains of Portugal by Yann Martel; The Book of Memory by Petina Gappah; Youngblood by Matthew Gallagher; Black Deutschland by Darryl Pinckney; The Collected Novellas of Stefan Zweig; A Decent Ride by Irvine Welsh; Don't Lose Track by Jordannah Elizabeth; and The Queen of the Night by Alexander Chee (who we interviewed this week). For more on these and other new titles, go read our Great 2016 Book Preview.
The Via Crucis of the Book
“All of a sudden, things that should be banal, like a person’s face—the fact that a person has a face—becomes extremely disorienting. In these moments, I think it’s important to keep those strange commas.” In an illuminating interview for Asymptote, Year in Reading alumna Katrina Dodson talks about the thrills and challenges in translating The Complete Stories of Clarice Lispector. Pair with Magdalena Edwards’s Millions review of the collection.
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