In her new book The Sixth Extinction, New Yorker staff writer Elizabeth Kolbert makes the case that we’re living in the sixth massive die-off of species in our planet’s history. Corraling evidence from zoologists, environmentalists and more, Kolbert argues that human activity is the cause of this latest event. In a review over at Vulture, Kathryn Schulz writes that Kolbert “makes a page-turner out of even the most sober and scientifically demanding aspects of extinction.”
“It’s interesting to me now how many lawyers I’ve published. There’s something about the retelling, the assembling of a logical arc, about planting the clues and so forth that is believable and compelling. There’s a similarity in the way your mind needs to work, too. The logical progression of the narrative, the planting clues, the revelations and also just imbuing it with the emotional truth of the moment. That’s what a fiction writer has to do.” An interview with editor and literary gatekeeper Lee Boudreaux.
In spite of the title of her blog post, Lily Meyer doesn’t think Ann Patchett is really an enemy of Zadie Smith. Instead, she thinks the two authors play opposing roles in her life, thanks largely to the different effects their books have on her perceptions. At the Ploughshares blog, she contrasts their novels, using excerpts from White Teeth and Bel Canto. Related: Kevin Charles Redmon’s review of Patchett’s novel State of Wonder.
When Damien Searls first read W.G. Sebald, he thought the German writer was uniquely good at factoring historical circumstance into his thinking. Sebald’s unyielding reminders of the horrors of the past were a nice corrective to the feel-good pablums of the ‘90s. But reading Sebald now, Searls thinks something has changed. What happened? The world went online. (Related: Greg Walklin on Sebald’s A Place in the Country.)