Palgrave Macmillan is posting sample chapters from book proposals online, inviting comment “from anyone who feels they can contribute to the development of the works in question.” The trial will continue for the next six weeks.
Aspiring writers who’ve long dreamed of critical acclaim will no doubt be slightly miffed at Tana French’s admission that her writing “happened by accident.” As the former actress explains to The Guardian, writing In the Woods was a subconscious, almost involuntary experience: “I thought I could never write a proper book, I’d never done it before. But I thought I could write a sequence. Then I had a chapter.”
In 2011 I wrote about a group of Chilean Communists who wished to exhume Pablo Neruda’s body. They alleged that Neruda was murdered. Now, two years later, a judge has ordered the corpse to be exhumed and autopsied in order to set the record straight.
Amidst the tragic news that Iain Banks has cancer, The Telegraph responds with a headline for the ages: “Iain Banks taught me that books can be a hand grenade“
“Wallace’s fiction contains enormous cruelty… But it is also a deeply moral body of work. Its difficulties, and many of its cruelties, exist for specific reasons. Whether Wallace’s fraught projects are successes or failures is up to the individual, but these are judgments that all serious readers should want to make for themselves.” Chris Power considers David Foster Wallace‘s short stories in an essay for The Guardian and argues that after Infinite Jest they just might be the most important work he produced.