Palgrave Macmillan is posting sample chapters from book proposals online, inviting comment “from anyone who feels they can contribute to the development of the works in question.” The trial will continue for the next six weeks.
An Experiment In Crowdsourced Development
Teenage Scum Tollbooth
We couldn't get enough of Mallory Ortberg's "Dirtbag Hamlet," and now she presents "Dirtbag Phantom Tollbooth." "KING AZAZ: Please, my dear boy! Without these sisters, our kingdom will decay into chaos MILO: sisters eh nice."
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Bolaño: Required Reading
Chile’s official tourism website is running a series on “what to read before, after or during your trip to Chile.” Their most recent selection? Why, the work of Roberto Bolaño, of course. You might find our Bolaño Syllabus to be of help here, too.
Posthumous Praise
"The female writers whose work has most recently come in for enthusiastic appraisal are by no means a homogeneous group; their influences, preoccupations and style vary wildly." The Guardian profiles six women authors – Beryl Bainbridge, Anita Brookner, Angela Carter, Jenny Diski, Elizabeth Jane Howard, and Molly Keane – whose posthumous legacies continue to grow. Alix Hawley wrote a fantastic tribute to Brookner here earlier this year, noting, "[n]obody does depression quite so elegantly."
Gossip Girl Violence
Apparently the idea that vampires and zombies aren’t real but serial killers are didn’t occur to anyone associated with the book, Gossip Girl, Psycho Killer.
Parenthetical Power
Parentheses aren't just the mark of a lazy or verbose writer. They can also bracket personal pain in a narrative. At The New York Review of Books, Christopher Benfey explores the power of the parenthetical detail, such as Lolita's "My very photogenic mother died in a freak accident (picnic, lightning) when I was three." Pair with: Vulture's "The 5 Best Punctuation Marks in Literature."
Benefits Does Have a Nicer Ring to It
In its treatment of the poor, Britain may be “going back to the Middle Ages,” says Booker repeat winner Hilary Mantel. Indeed, she explains, “In some respects … Cromwell lived in a more enlightened time.” And she’s not the only high profile UK author to come to the side of government welfare these days. In a two-part interview for The Daily Show, J.K. Rowling notes that she couldn’t have written her first books without government “benefits.”
“The Specter of the Confessional”
"The specter of the confessional haunts all first-person writing, and women’s writing in particular," but perhaps "the instinct to insert [the self] comes from a place of saying, 'I’m not an expert, I’m just a person; let me show you where I’m situated here in this thing I’m telling you about.'" Our own Lydia Kiesling writes about Meghan Daum, Lena Dunham, Leslie Jamison and the confessional impulse in nonfiction for Salon.
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