Make some time this weekend to read James Baldwin and Audre Lorde in conversation, which originally appeared in a 1984 issue of Essence, but has since been reposted by the Museum of Contemporary African Diasporan Arts.
“You are saying you do not exist in the American dream except as a nightmare.”
“It is true that if there exists a ‘writer’s writer,’ [George] Saunders is the guy”
Joel Lovell profiles George Saunders for The New York Times, and he gives a killer endorsement for Saunders's latest book, Tenth of December. The author's collection from thirteen years ago, Pastoralia, was picked on our site as being among the "Best of the Millennium."
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Chinese Publishing
The Guardian profiles the proliferation of Chinese self-publishing websites. Could this be the future of publishing?
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And the Funnel Came Down
“I had dreams about tornadoes. I dreamed of houses collapsing, people searching through rubble for dead bodies. Most of these dreams involved watching a large tornado in a field as it moved directly toward me. Like the scene early in the film The Wizard of Oz when Dorothy looks out the window and sees the tornado approaching, that sense of doom is always present in my dreams.” At the Paris Review Daily, Brandon Hobson reflects on a lifelong fear of bad weather.
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Netherworlds of the Twittersphere
“The greatest Intelligence Agency use of Twitter that never really happened is @US_CIA, a remarkable account that posted plausible Langley public notices that became noticeably stranger over time. Eventually it was claiming 30% of all CIA employees were LGBT and/or First Nation and tweeting directly to @khamenei_ir, Iran's ayatollah.” At The Awl, Ken Layne investigates the world of Espionage Twitter.
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“This Website is Pretty Good…”
I had no idea Kanye read The Millions. Apparently, he's not that impressed by our recent comments about him.
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Back in the High Life Again
Self-styled music critic Patrick Bateman, the protagonist of Bret Easton Ellis’s 1991 novel American Psycho, certainly had a lot to say about 80s mainstays like Genesis and Huey Lewis and the News. Over at The New Inquiry, J. Temperance argues for Steve Winwood as Patrick Bateman’s musical doppelgänger. Go ahead and take a look at this essay by Bill Morris of The Millions on The Canyons, a film for which Ellis wrote the screenplay.
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