First there were cupcakes, then donuts, and now toast. At The Pacific Standard, John Gravois discovers the surprisingly emotional and personal reason for why toast is the latest artisan food trend.
Who’s ready for a trip to Tokyo? Sadie Stein at The Paris Review breaks the lid on a veritable Shangri-La for book lovers, a quasi-bunkhouse known as Book and Bed. Book and Bed is a bunkhouse-slash-bookstore that doesn’t actually sell books. Instead, they have a number of rather spartan beds built inside row after row of bookshelves. Their noble goal is also a simple one; to offer “an experience shared by everyone at least once: the blissful instant of falling asleep while reading.”
Recommended Viewing: Charlie Rose sits down with Donna Tartt for the author’s only American television interview since releasing her latest novel, The Goldfinch. (Related: Adam Dalva fears that Tartt may have been “following me around with her notebook in hand for the last 14 years.”)
Women writers of color can apply for the two-week Writer’s Colony at Dairy Hollow, which is being organized by Jack Jones Literary Arts, and will take place between October 16-30, 2017. The retreat will feature daily master classes with agents, editors, and publishing professionals, and comes with a $1,050 stipend. Applications are open until May 1, 2017.
“For that reason, it’s hard to imagine coming to this book for the first time, and experiencing it in the same way as that college senior back in 2003.” The Outline on the 15-year anniversary of Chuck Klosterman‘s Sex, Drugs, and Cocoa Puffs. (Read our review of the king of pop culture’s newest book.)
What is deracination, and why is it key to understanding American fiction? In her novel Housekeeping, Pulitzer laureate Marilynne Robinson defines it as “the free appreciation of whatever comes under one’s eye,” inspired by the Western sentiment of “feeling no tie of particularity to any single past or history.” In the Boston Review, Jess Row states that deracination is “a long-lived and nearly universal trope in white American literature,” claiming it represents “an American ideal: not to strip from the roots, but to de-race oneself.”