About a year ago, Patricia Lockwood famously asked The Paris Review how they felt about their namesake. In response, the magazine assigned top people to the project, who came back with a straightforward answer.
It's time to clear out a little spot on that bookshelf because this one is sure to impress your literary friends. Among a few other incredible books up for sale by a London bookseller is this copy of T.S. Eliot's The Waste Land. It is one of the original 460 copies hand printed by Virginia and Leonard Woolf, and it is signed by Eliot to the doctor who treated him at the clinic in Laussane where the poem was written. Good thing you've been saving up.
At W, a first look at American actress Rooney Mara in character as Lisbeth Salander. The relatively unknown Mara, recently of David Fincher's The Social Network, has been cast as Salander to Daniel Craig's Mikael Blomkvist in Fincher's American film version of Stieg Larsson's The Girl With The Dragon Tattoo. The obvious question: does Mara have the chops to outshine Noomi Rapace's Salander?
"The Hatchet Job Award appeals, in its depressingly calculated way, to the basest and most self-serving of journalistic instincts, and seems to arise out of, and perpetuate, a misunderstanding of what criticism actually is." At Slate, our own Mark O'Connell criticizes the award for promoting the same bad criticism it claims to detest.
The word "cool" has been cool for more than 70 years. At Slate, Carl Wilson examines why this slang stuck, and how it's evolved from being used by beatniks to smartphone companies. "Cool is an attitude that allows detached assessment, but one that prizes an air of knowingness over specific knowledge. I think that’s why it doesn’t become dated, unlike hotter-running expressions of enthusiasm like groovy or rad." Pair with: Michael Agger's essay on why we love the "cool story, bro" meme.
Electric Literature’s posted a story by Jesmyn Ward, author of the reigning National Book Award-winning novel Salvage the Bones, as part of their ongoing Recommended Reading series. It’s worth checking out. Likewise, I recommend getting your hands on the latest issue of Oxford American so you can check out Ward’s inaugural “Native Daughter” column.
“A coroner’s pronouncement of suicide (felo da se) resulted in forfeiture of the deceased’s goods and property to the state, often leaving any surviving relatives destitute. So the increasingly common verdict of temporary insanity (non compos mentis) may suggest a change in how people understood the act of self-destruction: no longer construed as a demonic temptation, it came instead to be viewed as a symptom of lunacy.” On the prevalence of suicide in eighteenth-century English literature.