Northern England has its own distinct genre of crime fiction, yet it’s never taken off abroad the way its counterparts in Scandinavia and Scotland have. In The Guardian, AK Nawaz wonders why this is, arguing that “there is an argument for a common and marketable ‘Northernness’ – if not an identity, then perhaps a literary state of mind.”
Just when you thought we’d covered every aspect of the story of self-publishing, something like this happens. A Canadian serial killer convicted of killing six women and charged in the deaths of another twenty has self-published a memoir on Amazon in which he maintains his innocence. The papers were allegedly smuggled out of the prison by another inmate and published by a self-publishing service under a pseudonym. Amazon has since discontinued sales of the book.
My book, The Late American Novel: Writers on the Future of Books is out today (more on that here), and also out this week is Joshua Foer’s (the latest of the Foer’s to throw his hat in the authorial ring) Moonwalking with Einstein: The Art and Science of Remembering Everything, buzzed about food memoir Blood, Bones & Butter: The Inadvertent Education of a Reluctant Chef, a new look at the modern world’s most ubiquitous commodity James Gleick’s The Information: A History, a Theory, a Flood, Library of America boxing anthology At The Fights: American Writers on Boxing, Mat Johnson’s Poe-inspired Pym, and Victoria Patterson’s This Vacant Paradise. New in Paperback: Sam Lipsyte’s The Ask and Chang-rae Lee’s The Surrendered.
Writers of facial stage direction, beware: it is not actually the epitome of irony that smiling and crying can seem so oddly similar. At Aeon, Princeton professor Michael Graziono argues that the seemingly opposite gestures may just share evolutionary origins. (Pair with: Darwinist theories about “the evolution of the novel.”)