Up There

January 14, 2014

Northern England has its own distinct genre of crime fiction, yet it’s never taken off abroad the way its counterparts in Scandinavia and Scotland have. In The Guardian, AK Nawaz wonders why this is, arguing that “there is an argument for a common and marketable ‘Northernness’ – if not an identity, then perhaps a literary state of mind.”

is a staff writer for The Millions and an MFA candidate at Johns Hopkins. Prior to coming to Baltimore, he studied literature and worked in IT while living in Dublin, Ireland. You can find him on Twitter at @tdbeckwith.

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