Want to see Nobel laureate Alice Munro in conversation with Margaret Atwood? The two will take part in a Google+ hangout on Wednesday night at 7:30. (You could also read our beginner’s guide to Munro’s work.)
P. G. Wodehouse is enjoying a popular revival thanks in part to W. W. Norton re-releasing some of his books with nice, attention-grabbing covers. Of course the British author has long had his supporters. Among them? George Orwell. Elsewhere, The Guardian compares Wodehouse’s correspondence to Ernest Hemingway‘s.
“The worst days I’ve ever known could be my future under the American Health Care Act.” For Catapult, Liz Lazzara writes about her history with mental illness and what might happen if the new healthcare legislation passes the Senate. Pair with Gila Lyons in our pages about madness, medication, and the creative instinct.
It’s a source of hair-pulling anxiety for artists of all kinds: how can you hold down a day job yet commit yourself to your art? It’s undoubtedly possible, but it’s daunting enough that apprentice writers often need advice on how to do it. Herewith, six artists (including writers Catherine Lacey and Shane Jones) explain how they pull it off. Related: Cathy Day on making a living as a writer.
Even though the new Franzen doesn’t drop for another week, for many readers, today is the biggest book release day of the summer thanks to the publication of Mockingjay, the third installment of Suzanne Collins’ blockbuster Hunger Games trilogy. For those less inclined toward young adult fare, Kevin Guilfoile’s new novel The Thousand is now out, as is The Cross of Redemption, the “uncollected writings” of James Baldwin.
“Why, after all, do writers write? What is the impulse, the insistence on story, on seeing and representing the world? It has little to do with technology although everything to do with narrative, which is a purpose that, on the surface, technology also seems to share. The difference is that the writer creates narrative with intention, whereas technology merely gathers, or processes, information, leaving interpretation, analysis, up to us.” Let’s just say David L. Ulin doesn’t think Joyce would work for Google.