Want to see Nobel laureate Alice Munro in conversation with Margaret Atwood? The two will take part in a Google+ hangout on Wednesday night at 7:30. (You could also read our beginner’s guide to Munro’s work.)
Two Good Women
The Perils of “Showrooming”
Emma Straub, whose Year in Reading piece ran this week, has written a great article on the perils of "showrooming."
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An Unquenchable Thirst
In An Unquenchable Thirst by Mary Johnson, the former nun, who served alongside Mother Teresa, details her disenchantment with the religious life she once found so appealing.
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The Ultimate Literary Celebrity
Has Joan Didion become "the Ultimate Literary Celebrity"? In an article for the New Republic Laura Marsh says "yes," and then explains how that happened. Marsh's efforts pair well with Franklin Strong's recent Millions essay on "The Manliness of Joan Didion," Joan Didion being a literary figure who easily adapts to any description.
Critterati
Happy Halloween! At the New Yorker, the winners of the dress your pet as a literary character contest. Don't miss the honorable mentions (I'm partial to the feline Moby Dick).
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One Translation To Rule Them All
“Despite a glut of English translations (well over a hundred, by my count),” writes Dante scholar Robert Pogue Harrison, “New versions of the entire [Divine Comedy] poem or individual canticles continue to appear in rapid succession—six in the last decade alone.” Over at the New York Review of Books, he investigates three of the latest: Dan Brown’s Inferno, Mary Jo Bang’s Inferno, and Clive James’s Divine Comedy.
Goodbye to King of the Blurbs
Recently, it seemed hard to find a book not blurbed by Gary Shteyngart. He did blurb 150 books in the past decade. Yet now the author has decided to mostly retire from blurbing, he announced in The New Yorker. "Literature can and will go on without my mass blurbing. Perhaps it may even improve." Pair with: Our own Bill Morris's essay on whether or not to blurb.
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