New this week: Orfeo by Richard Powers; Carthage by Joyce Carol Oates; Boy in the Twilight by Yu Hua; What We’ve Lost is Nothing by Rachel Louise Snyder; and His Day is Done by Maya Angelou. For more on these and other new titles, check out our Great 2014 Book Preview.
Then Come Back: The Lost Neruda will compile never-before-seen poems from Pablo Neruda’s archives. “Forrest Gander, the Brown University professor who translated the poems into English, likens the discovery to finding a trove of new sketches by Michelangelo.” Visit Neruda’s home with Luke Epplin.
Garth, Ben, Andrew and Max appear in today's "Digest" at The Morning News. The topic is movies based on books. Also at TMN: the Tournament of Books is underway.Readers with an interest in sales figures for books and their drawbacks should take a look at the comments of our follow-up post on the Beautiful Children free book promotion. Several anonymous commenters, whom one suspects are probably industry insiders, have shared their insights.A quick but interesting interview with Paul Theroux. This summer, Theroux's Ghost Train to the Eastern Star will be published. In it, he retraces his path from The Great Railway Bazaar thirty years ago. (via)The National Book Critics Circle Award winners have been announced. In the fiction category, Junot Díaz took home the prize for The Brief Wonderous Life of Oscar Wao. Díaz was a part of our Year in Reading in December.The finalists have been announced for the Kiriyama Prize, which recognizes books that "relate in some significant way to the Pacific Rim or South Asia, to a particular culture or part(s) of these regions, or to people from these regions." Among them is I Love Dollars by Zhu Wen, which was reviewed here by Ben, from which a blurb was used on the Kiriyama Prize site.The Stranger reminds us of our bookselling days, chasing those damn book thieves down the street.The Observer reports on two new bylines arriving at the New Yorker, Kelefa Sanneh and Ariel Levy of the New York Times and New York respectively. (via)Literary frauds are all over the news again, and the LA Times serves up a delightful accounting of hoaxers going all the way back to the 1700s. (via)We are all stereotypical readers: "The British buy books by television personalities, Americans are obsessed with self-improvement, French choices are more highbrow, the Germans like holidays while the Japanese have more eclectic tastes." (via)A new issue of The Quarterly Conversation is out. Among the offerings: over- and underrated books and Sam J. Miller's essay positing that short stories are far from dead, as some big names would have you think.Apple head honcho Steve Jobs told the New York Times in January that "people don't read anymore." The Raleigh Quarerly took umbrage and is now holding a contest that asks for submissions "featuring a main character named, uh, Steve, who reads something that transforms his life."
When Adrienne Raphel got to the Iowa Writers’ Workshop, she found a group of writers as addicted to fonts as she was. Over time, a “font subculture” developed among the poets, who settled on particular fonts as their signatures, at least for a while. At The Paris Review Daily, she writes about her typographic bent. Pair with our own Garth Risk Hallberg on the use of fonts in publishing.
Following the news that The Simpsons will now be available for online streaming for the first time, Myles McNutt makes the case that the world needs a Simpsons Clip Database. He justifies his sentiment by pointing out that “in a world where Simpsons references are a language for a certain generation, the ability to stream this content has tremendous value, and could push use of an app that otherwise would struggle to compete with services like Netflix.”
“It would be hard for anybody who has dealt with suicide to not have a heightened awareness of things, to perhaps be a little more cautious about things.” A Colorado school district has officially pulled the book 13 Reasons Why out of circulation, reports The New York Post; not surprisingly, some librarians are rankled. Pair with this case against book banning, which focuses on number 15 on the list of 100 most challenged books released by the ALA, Toni Morrison's The Bluest Eye.