American Short Fiction’s managing editor Jess Stoner is reading local newspapers from one state a week and reporting on the big headlines in a better attempt to understand America. As she puts it, “Not to snark, not to make fun of people from unincorporated towns who write letters to the editor, but to share with you a more complicated, less yell-y look at where we are, with the hopes of better understanding where we might be headed.” The first state is Alabama.
“So a single image can split open the hard seed of the past, and soon memory pours forth from every direction, sprouting its vines and flowers up around you till the old garden’s taken shape in all its fragrant glory.” Read an excerpt from Mary Karr’s The Art of Memoir at Longreads. Pair with Beth Kephart’s essay on how memoir can be a conversation between reader and writer.
There are a lot of writers who work in advertising, and it’s starting to have an impact. People are more likely to love brands if there is a story involved, according to a new study. “We’ve known for a long time there is no ‘buy’ button in the brain. But these results show there’s a ‘story’ button,” neuroscientist Paul Zak says. Pair with: Our essay on working at a creative agency after getting your MFA.
Spotted on the streets of New York: a casting call for a “10-13 year old Caucasian male” to play protagonist Oskar Schell in Stephen Daldry‘s upcoming film adaptation of Jonathan Safran Foer‘s Extremely Loud & Incredibly Close. Notable Goyim Tom Hanks and Sandra Bullock are attached to the project, as Oskar’s parents.
Masha Gessen will be the first writer to publish a book about the Boston Marathon bombing suspects, Tamerlan and Dzhokhar Tsarnaev. Previously the author demonstrated her knowledge of Chechnya in her 2012 book The Man Without a Face. Gessen, who is also working on a book about embattled punk group Pussy Riot, will reportedly leave her directorship at Moscow Radio Liberty in order to report on both projects full time.