No matter how you feel about poetry readings, you should take a look at this video, which excerpts the Stanford Computer Science Department’s first-ever Code Poetry Slam.
“I think it’s important that poets exist in societies because they exist in the realm of affect. Feeling is important to them. How people feel, what they feel, what breaks them, how trauma resonates through their lives… that’s a legitimate space in poetry. It’s a legitimate space for investigation.” Aaron Coleman interviews Citizen author Claudia Rankine about intimacy, her writing process, and her experience in an MFA program.
When Hanna Rosin published The End of Men this year, the book stirred up a lot of controversy (and a number of parodies, to boot). Now Stephanie Coontz, a historian, takes issue with Rosin’s premise — the “myth of male decline” — in the pages of The New York Times Book Review.
If you run into trouble in Iceland, blame the elves. 54.4 percent of Icelanders believe in the invisible creatures, and elves cause environmental protest today. “Beliefs in misfortune befalling those who dare to build in elf territory is so widespread and frequent that the Icelandic Road and Coastal Administration has created a five-page ‘standard reply’ for press inquiries about elves,” Ryan Jacobs writes for The Atlantic. Pair with: our essay on Icelandic writer Sjón.
As Nick Richardson notes for the London Review of Books, Saul Bellow’s son, Adam, has his hands full these days. When he’s not maintaining a site devoted to conservative “literature,” he’s extolling the virtues of conservative fiction writers you “probably have never heard of — and won’t, if the powers that rule the lit-crit, fanfic, and commercial publishing worlds have anything to say about it.”