“If Do-It-Yourself culture continues to gain appeal as fast as climate change lays on the chaos, we will need to look to the hinterlands for both practical guidance and hints about the fashions of the future. I recently watched Werner Herzog’s 2010 documentary (directed in collaboration with Dmitry Vasyukov) Happy People, which follows a few Siberian fur trappers over the course of a year, and let me tell you: when Celsius and Fahrenheit converge, Gennady of Bakhtia does not waste his time tossing boiling water into the air just to see what happens.” On surviving the next polar vortex.
“Every man or woman who is sane, every man or woman who has the feeling of being a person in the world, and for whom the world means something, every happy person, is in infinite debt to a woman.” What would today be without a bit of Mother’s Day-inspired Recommended Reading? Head over to Brain Pickings and learn why psychoanalyst Donald Winnicott believes that mothers are so vital.
Independent publisher Melville House worked straight through December to publish the Senate Intelligence Committee Report on Torture in time for the New Year. Now co-founder Dennis Johnson talks with Vulture about why his press decided to publish the book at all, and about the varied moral and practical concerns at stake when working on such a project.
“Reading the Grateful Dead is not a history of the band; it is a study of the landscape they and their fans created, as surveyed from a caravan that crisscrossed the country, Europe, and even Egypt for roughly 2,300 shows over 30 years.” Dead Head Buzz Poole takes a look at “Grateful Dead studies.” (The song that turned him, it turns out, was ‘Scarlet Begonias.’)
“How can we represent four hundred years of American literary history in a way that doesn’t reinforce the unfortunate hierarchies of those four hundred years?” Year in Reading alum Rebecca Makkai writes for Electric Literature about the opening of the new American Writers Museum in Chicago and what it means to curate an historical canon of letters. See also: our interview with Makkai from a couple of years back.
“It took me ten years (four of writing, six of rewriting) to complete The Listener. Now ‘trans is trending,’ and the book has been published into this particular cultural moment, one I could never have envisioned twelve years ago.” Rachel Basch discusses writing in the context of social change at Lit Hub. Pair with our own Sonya Chung’s piece on literary activism.