The Iowa Review will begin accepting submissions for the Jeff Sharlet Memorial Award for Veterans on April 15. The award honors creative writing by members of the U.S. military, and it’s open to both veterans as well as active duty personnel.
This month, Boost House is publishing what the New Yorker describes as “the first English-language paperbound anthology of Alt Lit and its siblings weird Twitter … and Flarf.” The collection – The YOLO Pages – features work by Steve Roggenbuck, Tao Lin, Patricia Lockwood, and (of course) @Horse_ebooks among others. But far from being a compendium of “vomit jokes and image macros of cats,” writes Kenneth Goldsmith, the book also contains poems “that obliquely grapple with bigger issues of morality, politics, feminism, capitalism, and the environment.”
Peter Mendelsund writes for the Paris Review about how we see, or think we see, fictional characters. “Characters are ciphers. … We are ever reviewing and reconsidering our mental portraits of characters in novels: amending them, backtracking to check on them, updating them when new information arises.”
What happens when you put one of the biggest literary egos together with music’s biggest ego? A movie. Bret Easton Ellis is working with Kanye West on a film. “He came and asked me to write the film,” Ellis told Vice. “I didn’t want to at first. Then I listened to Yeezus…I thought, regardless of whether I’m right for this project, I want to work with whoever made this.” This is an interesting pairing because Kanye definitely isn’t a reader.
It’s not every day that fans of a novel look forward to a Lifetime movie, but such is the case for fans of Flowers in the Attic, whose 1987 film adaptation left out many of the details that made the book a “rite of passage for teenage girls in the ‘80s.” At Slate, Tammy Oler delves into the book’s importance and its history on the screen.
Two of my favorite writing contests are wrapping up this October. You have until the first of the month to enter the Missouri Review’s Editors’ Prize Contest. $5,000 will be awarded to the best fiction, essay, and poetry. Meanwhile, you have until October 31st to enter DIAGRAM’s Essay Contest, which is open to all types of essays such as those “in an expansive sense, meaning essay as experiment, essay as heterogenous and sometimes strange or unruly beast.” That contest’s prize is $1,000 plus publication.