Recommended Reading: Alex Myers’s essay “Just Like…” on Hobart. “I was seventeen, and I wanted to show him – and everyone else (most of all, myself) – that I could be a man on my own terms.”
Last week, I wrote about the disparity between Norman Rockwell’s inner life and the cheerful art that made the painter famous. In the new issue of The Atlantic, James Parker writes about the “unconscious energy” of Rockwell’s work, while on the magazine’s website, Jennie Rothenberg Gritz republishes an old article that examines how Rockwell’s style could seem outdated even in the fifties.
“Try not to get overly attached to a hypothesis just because it’s yours. It’s only a way station in the pursuit of knowledge. Ask yourself why you like the idea. Compare it fairly with the alternatives. See if you can find reasons for rejecting it. If you don’t, others will.” It’s too bad more people haven’t had a chance to take a look at Carl Sagan’s 8-rule “Baloney Detection Kit.“
Over at Catapult, Mensah Demary shares the story of how he got to be a professional editor. As he puts it, “I was asked recently what it takes to succeed as a writer and editor. Actually, I was being asked a more specific question: how do you become a successful writer and editor? I don’t have the answers; I only have my life.” Pair with Kate Angus’s Millions essay on making a living as a poet.
“I was absolutely horrified. Wouldn’t have known if not for a Russian reader who read both editions. Publisher in total breach of contract.” The Guardian reports that author VE Schwab was “devastated” to learn scenes from her fantasy series Shades of Magic have been excised from Russian translations for featuring queer characters. See also: a consideration of the commercial viability of LGBTQ lit.
Karen Russell is everywhere these days. She’s sharing her favorite books about Florida with The New York Times, she’s being interviewed about her writing process on our site, and she’s publishing short fiction for Electric Literature’s Recommended Reading blog. Oh, and she has a new book out, too, as you might have heard.
Julia Fierro is a writer we’ve featured before, and her first novel Cutting Teeth was published last month. But as she explains in a new piece, there was a stretch of time when she didn’t write at all. “I was so cruel to myself, so impatient, beating myself up daily for not writing,” she says. “It took seven years worth of teaching… before I returned to writing with solid commitment. And when I did sit down in front of my computer, I was a better writer.”