Elmore Leonard was a very cinematic writer, yet why are most adaptations of his work so bad? Christopher Orr explores what he calls the “Elmore Leonard paradox” in The Atlantic. “Most of the early adaptations of Leonard’s crime work missed his light authorial touch, opting instead for somber noir.” Pair with: Our own Bill Morris’s essay on why Leonard was such a good writer.
The Elmore Enigma
Against “Context”
Recommended Reading: Robert Silvers defines Instagrams, and also discusses his tenure with the New York Review of Books as well as the publication’s raison d'être.
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2010 Best Translated Longlist
Three Percent has unveiled the longlist for its 2010 Best Translated Book Award. Roberto Bolaño, J. M. G. Le Clézio, and Orhan Pamuk all made the cut.
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Know Your Book Covers
Think you know your Arthur Conan Doyle from your Agatha Christie? This week, The Guardian quizzes you on the book covers of classic crime novels. In case you missed it, previous weeks featured science fiction and literary classics.
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“Style is the writer”
e. e. cummings or YouTuber?
In honor of National Poetry Month, revisit a McSweeney’s article on whether a YouTube commenter or e. e. cummings wrote this line of poetry. Our piece on author parochialism pairs nicely.
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“Justified” works so well because it often captures that light touch.