Elmore Leonard was a very cinematic writer, yet why are most adaptations of his work so bad? Christopher Orr explores what he calls the “Elmore Leonard paradox” in The Atlantic. “Most of the early adaptations of Leonard’s crime work missed his light authorial touch, opting instead for somber noir.” Pair with: Our own Bill Morris’s essay on why Leonard was such a good writer.
The Elmore Enigma
The Chekhov/Celebrity Quiz
At Flavorwire, test your literary (and tabloid) IQ by trying to match Chekhov’s characters with their closest celebrity counterparts.
Lit Reactor’s Literary Tattoo Contest
Do you have literary ink? No, not that kind. We’re talking tattoos. Lit Reactor wants to see your Moby-Dick-themed tramp stamps, and your Le Petit Prince-themed bicep tats.
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Hallberg an NBCC Balakian Finalist
Congratulations to our own Garth Risk Hallberg, who was a finalist for the Nona A. Balakian Citation for Excellence in Reviewing, awarded by the NBCC. Critic William Deresiewicz took home the prize. We wrote up the finalists in the fiction and non-fiction categories yesterday.
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“Our job is to analyse data, not to love words.”
The Telegraph catches up with John Simpson as he prepares to retire from his role as chief editor for the Oxford English Dictionary. “I used to keep a notebook in my pocket in case I came across new words,” Simpson says at one point. “That worked until I put my trousers in the washing machine.”
Everything I Say
Don’t Suck, Don’t Die: Giving Up Vic Chesnutt by Kristin Hersh is a downright mesmerizing elegy to the eclectic singer-songwriter. Part idiot-savant, part deliberate curmudgeon , Vic Chesnutt (who Rolling Stone has called one of the greatest songwriters of all time) was notoriously difficult to spend a lot of time around. Hersh stopped by Electric Literature for an interview about the book and about losing her dear friend Vic. Bonus: for anyone unfamiliar with Chesnutt’s work, this video will get you close.
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Tuesday New Release Day: Grey, Clowes, Enright, Shin
The much discussed Fifty Shades of Grey arrives as a paperback today, though one wonders if readers will be as willing to read it if they must shed the privacy of the e-reader. Also out is the gorgeous retrospective, The Art of Daniel Clowes. The Forgotten Waltz by Anne Enright and MAN Asian Literary Prize winner Please Look After Mom by Kyung-Sook Shin are new in paperback.
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“Justified” works so well because it often captures that light touch.