At The Rumpus, Catherine Brady interviews Daniel Alarcón, who recently came out with a new novel. Alarcón talks about his love of Roberto Bolaño and the paradox of writing about prison, among other things. (You could also read Jeff Peer’s review of the author’s new book.)
Recently, it seemed hard to find a book not blurbed by Gary Shteyngart. He did blurb 150 books in the past decade. Yet now the author has decided to mostly retire from blurbing, he announced in The New Yorker. “Literature can and will go on without my mass blurbing. Perhaps it may even improve.” Pair with: Our own Bill Morris’s essay on whether or not to blurb.
In The Morning News, Jessica Francis Kane asks where is the line drawn between literary fiction and historical fiction; why is historical fiction maligned; and what happens when you write a novel and one of the characters attends your reading?
In today’s installment of “The Unpopular Opinion,” Malcolm Jones for The Daily Beast thinks that it’s high time that we let Rudyard Kipling out of the penalty box. Jones argues that, while Kipling may have written a lot of “jingoistic trash,” to judge him “by the standards of our time, not his, serves him poorly and obscures his true genius.”