A couple weeks ago, I wrote about the upcoming Lifetime adaptation of Flowers in the Attic, the novel that Slate writer Tammy Oler called “a rite of passage for teenage girls in the ‘80s.” Now, Willa Paskin reviews the new film, lamenting that it “acts as if it is just another life-affirming Lifetime movie about surviving terrible situations.”
As Le Petit Prince author Antoine de Saint-Exupéry said, “The aeroplane has unveiled for us the true face of the earth.” Perhaps that can be extrapolated for satellites, too. Either way, if this incredible, orbital HD Vimeo footage doesn’t move you, then I don’t know what could.
Who would have predicted, when an unassuming history of post-punk called Our Band Could Be Your Life was published in 2001, that we’d be celebrating its tenth anniversary with concert blowouts and Paris Review Daily interviews? Most anyone who read it, that’s who.
At the LARB, Millions contributor Nathan Deuel reviews Silence Once Begun by Jesse Ball, which we covered as part of our Great 2014 Book Preview. Nathan calls the novel “daring and odd” and notes that, as the plot advances, “even we readers become slightly shaky witnesses.” You can learn more about Jesse Ball’s work in our own Janet Potter’s review of his novel The Curfew.
“Too often, a woman’s pain is not merely met with doubt, but suspicion, both within the medical community and outside of it.” The New Republic writes about female pain, the medical community, and Abby Norman‘s book, Ask Me About My Uterus: A Quest to Make Doctors Believe in Women’s Pain.