A couple weeks ago, I wrote about the upcoming Lifetime adaptation of Flowers in the Attic, the novel that Slate writer Tammy Oler called “a rite of passage for teenage girls in the ‘80s.” Now, Willa Paskin reviews the new film, lamenting that it “acts as if it is just another life-affirming Lifetime movie about surviving terrible situations.”
When a novel is printed in multiple countries, it often has more than one editor. Slate interviews Emma Donoghue; her American editor, Judy Clain; and her Canadian editor, Iris Tupholme, about how they all edited Frog Music. They discuss everything from how to deal with editing disputes to the best way to get edits. "I much prefer to get everyone’s opinions separately, because if I got a single editorial letter, it would be like getting a note from God!" Donoghue says. For more on the editing process, read about our own Edan Lepucki's relationships with her copy editor and editor.
Recommended Listening: The Missouri Review's new weekly podcast, Soundbooth, which will feature interviews and readings with authors, editors, agents, and more. The first episode is a conversation between editor in chief Speer Morgan and marketing director Kris Somerville on the research they do for the journal's feature section. You can subscribe here.
What happens if your town's reputation was made by an author who hated it? Sinclair Lewis grew up in Sauk Centre, Minnesota and scathingly satirized it in Main Street (our Modern Library Revue of it), but it's the town's only claim to fame nearly a century later. At The Morning News, Matt Ray Robison visits.
"Much of what passes for advanced literary scholarship these days is dreadful twaddle -- incoherent, emotionally empty, deeply illiterate," says Terry Castle in a recent interview with Salon about her new book of essays, The Professor. You can also catch Castle in the most recent issue of The New York Times Magazine.
"It reminded me once again that we desperately lack a full-throated defense of this runt of the grammatical litter. We need an outright celebration of adverbs, and it is that celebration that I offer—stridently, boisterously, unapologetically." Colin Dickey at Slate passionately, unabashedly defends the adverb.