A couple weeks ago, I wrote about the upcoming Lifetime adaptation of Flowers in the Attic, the novel that Slate writer Tammy Oler called “a rite of passage for teenage girls in the ‘80s.” Now, Willa Paskin reviews the new film, lamenting that it “acts as if it is just another life-affirming Lifetime movie about surviving terrible situations.”
“Simultaneously less explicit and more explicit”
Recomended Reading
Electric Literature's latest venture, Recommended Reading, features short stories selected by other writers. Check out the Kickstater page for more info. And hey, maybe give 'em some money while you're there.
Failure
"I’ve learned that people—writers and non-writers alike—don’t like that word. Failure.... I take a bizarre pleasure, now, in using that word. Maybe because during my decade as a failed writer, the one thing that took the edge off was wallowing in that failure—carefully, in a proscribed fashion, like having a drink when you’re still hungover." Stephanie Feldman writes for Vol. 1 Brooklyn about being a literary failure, about the two books she wrote and never published, and about the one she finally did. Pair with the stories of these 5 writers and their failed "novels in drawers."
A Girl Is a Fully-Formed Thing
“The things I do not want to write about become the things I write about.” Year in Reading alumnus Eimear McBride talks to The Guardian on the occasion of her second novel's arrival. The Lesser Bohemians follows upon her hugely successful debut, A Girl Is A Half-Formed Thing, which we reviewed back when it came out in the U.S.
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Carpal Tunnel is the new Broken Back
Parts of Mac McLelland's Mother Jones piece, "I Was a Warehouse Wage Slave," read like what Daniel Orozco might write had he worked in an major shipping warehouse instead of a human resources department.
Neomysterativity
The term “academic writing” is controversial, not least because it implies that academics have an odd and persnickety way of writing. In a blog post for The New Yorker, Joshua Rothman examines the genre, looking back on his time in grad school to argue that academic writing is a “fraught and mysterious thing.”
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Great to Not Great
At HTML Giant, Jimmy Chen plots famous writers on two axes: Genius to Mediocrity and Arrogance to Modesty. It may offend you (or leave you feeling satisfied) to know that Tom Wolfe is the plot’s most arrogant author.
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