A couple weeks ago, I wrote about the upcoming Lifetime adaptation of Flowers in the Attic, the novel that Slate writer Tammy Oler called “a rite of passage for teenage girls in the ‘80s.” Now, Willa Paskin reviews the new film, lamenting that it “acts as if it is just another life-affirming Lifetime movie about surviving terrible situations.”
“Simultaneously less explicit and more explicit”
The Well
Anne Fernald writes about getting deep into her research: “Peering down isn’t enough, however. If you want to find the treasure that lies beneath the surface, you have to dive down into the well.”
Coetzee Archive to the Harry Ransom Center
The Harry Ransom Center in Austin, Texas made headlines when it acquired the David Foster Wallace archives. Now it’s added another high profile author to its collection: J. M. Coetzee.
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Jon Cotner’s Floating World
As part of the River to River Festival, poet Jon Cotner has put together a “floating world,” or a map of Japanese poet Matsuo Bashō’s work transposed onto Rockefeller Park. Each hour, Cotner will lead a tour through the world. This isn’t the first time Cotner’s done something cool like this, either. Check out our dispatch from his “Poem Forest” last year.
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Fear and Loathing in Ketchum, Idaho
Don’t worry, everybody — Anita Thompson, widow of gonzo journalist Hunter S. Thompson, has finally returned the prized pair of antlers that Thompson stole from the Idaho home of Ernest Hemingway, himself. The antlers, which he stole while in Idaho on assignment reporting on Hemingway’s suicide, had hung in Thompson’s garage for the past fifty-four years.
The End of a Myth
When Hanna Rosin published The End of Men this year, the book stirred up a lot of controversy (and a number of parodies, to boot). Now Stephanie Coontz, a historian, takes issue with Rosin’s premise — the “myth of male decline” — in the pages of The New York Times Book Review.
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Landlines, as Seen in Nabokov, Kafka, and More
Sophie Haigney bids farewell to the presence of landlines in literature, which have made important appearances in the work of Vladimir Nabokov, Franz Kafka, Muriel Spark, and more.
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