Most of our internet browsing results in wasted time and too many cat videos, but Nora Crook stumbled upon Mary Shelley’s unpublished letters while researching an obscure 19th-century novelist. In the letters, which range from 1831-49, Shelley fawns over her son and even discusses a 3 a.m. trip to her hairdresser when she got a ticket to the coronation of William IV in 1831. The letters will be published soon in The Keats-Shelley Journal.
“Patriarchal domination, even — despite appearances — in the West, is still very entrenched, and each of us, in the most diverse places, in the most varied forms, suffers the humiliation of being a silent victim or a fearful accomplice or a reluctant rebel or even a diligent accuser of victims rather than of the rapists. Paradoxically, I don’t feel that there are great differences between the women of the Neapolitan neighborhood whose story I told and Hollywood actresses or the educated, refined women who work at the highest levels of our socioeconomic system. ” In a rare interview, Elena Ferrante discuses the #meToo movement, Naples and her writing process for the Neapolitan novels in a rare interview translated from the original French.
Back in March, I pointed readers to an interview with Minae Mizumura, whose recent book, The Fall of Language in the Age of English, makes a case against the dominance of the English language in the modern age. Now, at Full-Stop, Sho Spaeth reviews the book. Sample quote: “She has a curious blindness to what may be her greatest offense of all to the prevailing attitude of our age: a naive rejection of the idea that novels, and their novelists, exist merely to entertain.”
Jesmyn Ward signed a deal for two books with Simon & Schuster: one adult novel with Scribner and the other a middle-grade novel with Caitlyn Dlouhy Books, according to Publisher’s Weekly. From our archives: Ward’s 2017 Year in Reading entry and our interview with the two-time National Book Award winner.
“APRIL is the cruellest month, breeding/Lilacs out of the dead land,/we’re graduating in may/do we seriously still have to do the reading/theres like three weeks left you cant be serious.” You know T.S. Eliot’s “The Wasteland,” but have you read Mallory Ortberg’s “The Teenage Wasteland” at The Toast?
For the most part, Alexis de Tocqueville had good things to say about the young United States in his book Democracy in America, which is probably why we tend to forget that he thought Americans weren’t funny. What de Tocqueville missed, according to a new history of American humor, is the extent to which American funniness emerged from subversive groups of outsiders. In Bookforum, Ben Schwartz takes stock of the arguments in American Fun.