Make of this what you will, but when Lorde first read Year in Reading alum Wells Tower’s Everything Ravaged, Everything Burned, it struck her as “the best collection [she’d] ever read.” Her interview with Tavi Gevinson in Rookie reveals that she also loves Raymond Carver and Claire Vaye Watkins.
The fine folks at Norton have made all of Patricia Highsmith's books available in eBook format, and to celebrate the move, they've crafted a website dedicated to the author's work. Choose Your Highsmith features a recommendation engine while will instantly pick a Highsmith book to match your selected criteria. There's also a great video in which Alison Bechdel, Robert Weil (Highsmith's editor at Norton), Joan Schenkar (Highsmith's biographer), and Terry Castle share their love for the author of the Mr. Ripley series.
Pharrell Williams is suing Black Eyed Peas member Will.I.Am over the latter’s insistence that he owns copyright on the phrase, “I Am.” If the judge in this case is truly worth their salt, they should force both musicians to settle this matter with a no-holds-barred John Clare-esque “I Am” poem off.
Recommended Reading: “Ursula’s Curse,” an excerpt from a forthcoming Eugene Lim novel. The piece’s protagonist seems less concerned with the end of his life (and maybe the human race) than he is with remembering an artist who tried to reach “a limit to the art market’s baseness.”
Are we now living in a golden age of the uncanny? The Millions contributor Porochista Khakpour suspects that we are, and she also suspects that our historical moment, populated as it is with alienating developments and surreal art, is key to understanding the work of Helen Oyeyemi. In the Times, Khakpour reviews Oyeyemi’s new novel. (You could also read both writers’ Year in Reading pieces.)