Almost a year ago, Emily Rapp’s son Ronan passed away from Tay-Sachs disease. At The Rumpus, Rapp discusses her loss and how it affects her current pregnancy. “A boy was born in the world, already doomed by genetics, in March 2010. A girl, if all goes well, will be born in the world in March 2014, and born to do what?”
“For example, I don’t feel that catharsis in a play necessarily takes place during the course of a play. Often it should take place afterward.” The Paris Review offers a manuscript page from playwright Edward Albee, who died this past weekend. See also: this amazing piece of lore behind the titling of Who’s Afraid of Virginia Woolf.
“I started zoning out a little. My eyes drifted over toward my cat. Mr. Patterson pulled me right back in by saying, ‘Once you have the outline, start writing dude, you’re ready.’ It was that dude that woke me.” At The Awl, Patrick Hoffman reviews James Patterson’s MasterClass on writing. Pair with Bill Morris‘s account of losing his Pattersonian virginity at 32,000 feet.
“There’s still time to look something else up.” Merriam-Webster pleads with word lovers to prevent “fascism” from becoming its word of the year, The Guardian reports. See also: this Lithub piece about the social media genius behind M-W‘s Twitter feed.
The world isn’t exactly wanting for character studies of Captain Ahab, but Chris Power manages to come up with a novel analysis of the character in this essay about the Moby-Dick antagonist. In Power’s telling, Ahab was valuable in part for what he told us about the 20th century — namely, he foreshadowed the dictators and despots to come. You could also read Hester Blum’s contribution to this essay about the best American novels.
The Table 4 Writers foundation, set up in the memory of the restauranteur Elaine Kaufman, recently chose the winners of its first round of $2,000 grants for writers. The winners will be honored March 7 at the New York Athletics Club, where Gay Talese will also be recognized with a lifetime achievement award.