Almost a year ago, Emily Rapp’s son Ronan passed away from Tay-Sachs disease. At The Rumpus, Rapp discusses her loss and how it affects her current pregnancy. “A boy was born in the world, already doomed by genetics, in March 2010. A girl, if all goes well, will be born in the world in March 2014, and born to do what?”
A true genius is someone who’s talented and accomplished enough to work in the publishing/literary crucible of New York City, but who’s also smart enough to know that working in New York City is nothing compared to working in Key West, Florida. That’s right: the Key West Literary Seminar is hiring.
This month, Boost House is publishing what the New Yorker describes as “the first English-language paperbound anthology of Alt Lit and its siblings weird Twitter … and Flarf.” The collection – The YOLO Pages – features work by Steve Roggenbuck, Tao Lin, Patricia Lockwood, and (of course) @Horse_ebooks among others. But far from being a compendium of “vomit jokes and image macros of cats,” writes Kenneth Goldsmith, the book also contains poems “that obliquely grapple with bigger issues of morality, politics, feminism, capitalism, and the environment.”
In his inaugural column for The New York Times Magazine, former New York Magazine critic Sam Anderson expands upon the idea he shared with us in his “Year in Marginalia,” his riff on our big Year in Reading series. And, as a sidebar to Anderson’s column, the Magazine has published a brief excerpt of John Brandon’s compelling essay from The Late American Novel: Writers on the Future of Books (perhaps you’ve heard that title mentioned around here lately?)
Sam Jordison asks us how Heller’s Catch-22 became a bestseller. “Yossarian’s kept a lasting grip on our collective psyche; he’s the ultimate moral rebel. To object to him would be to put yourself on the side of stuffed shirts, those who kill for profit and in the name of absurd patriotism.”