It’s 2014, but we still don’t have self-driving cars despite Isaac Asimov’s predictions. In 1964, Asimov contemplated what the world would be like 50 years later. He was fairly accurate according to David Wogan at Scientific American. “Asimov got a lot right…about how technology keeps advancing at a rapid clip, freeing humans from mundane and routine tasks. It’s the Google-fication of everything.”
“I began to wonder: what would a manifesto for bad poetry look like? Would it differ either superficially or deeply from the art’s graver manifestos? It really wouldn’t have to. It would merely have to persuade, and persuasion sounds very much the same whether it is honest or dishonest. If it was any good it would hold great attractiveness as a snappy piece of writing, but, if followed, it would be certain to produce bad poetry. Some harmless sophistry. In this it would be more effective than any positive manifesto, because, if guided well, no-one who sets out to write a bad poem is going to accidentally write an excellent one.” Erik Kennedy lays out a manifesto for bad poetry, titled “Precepts for Perfection in Poetry,” for The Rumpus. For a counterpoint, pair with our own Nick Ripatrazone‘s look at very good and very sad poetry, “The Saddest Poem Ever Written.”
New! This! Week! Forty-one False Starts: Essays on Artists and Writers by Janet Malcolm, Red Moon by Benjamin Percy, Pacific by Tom Drury, Love Is Power, or Something Like That by A. Igoni Barrett (read his piece at The Millions), and Dossier K, a memoir from Novel winner Imre Kertész.
Meet Philip M. Parker, a marketing professor at INSEAD Business School and the man whose name graces the covers of over 100,000 books. Is he the most prolific author of the modern age? Well, kind of. Thanks to “a computer system that can write books about specific subjects in about 20 minutes,” Parker and his company have combined to create over 800,000 titles currently listed on Amazon – including such works as The Official Patient’s Sourcebook on Spinal Stenosis and Webster’s Icelandic – English Thesaurus Dictionary.
The big debut this week is Imperial Bedrooms by Bret Easton Ellis. Also of interest is a new collection of essays by Sloane Crosley, How Did You Get This Number. The much delayed U.S. edition of a controversial 2009 Booker longlister, Ed O’Loughlin’s Not Untrue and Not Unkind, is now out. As is this intriguing curiosity: Peacock and the Buffalo: The Poetry of Nietzsche, which purports to be the “first complete English translation of Nietzsche’s poetry.”