Recommended Reading: Mai Der Vang’s striking poem about displacement “Light From a Burning Citadel” at The Missouri Review. “Once this highland was our birthplace. Once we were children of kings.”
You can read the entire first chapter from László Krasznahorkai’s latest novel, Seiobo There Below. We reviewed the work on our site last month. Meanwhile, the Hungarian author has recently received an unwelcome invitation. As literary scholar Tibor Keresztúry notes (via George Szirtes’s translation), “a certain G Fodor Gábor, the strategic director of the Századvég (Century’s End) Foundation … suggests that [Krasznahorkai] should shoot himself in the head.”
George Perec's I Remember, a series of aphoristic memories modeled after Joe Brainard's volume of the same name, are finally making their way into English translation. The Paris Review has an excerpt. "I remember that Stendhal liked spinach... I remember that one of the first decisions that de Gaulle took on coming to power was to abolish the belt worn with jackets in the military."
How do you feel about claims that men avoid reading women? Before you answer, consider this piece, which argues that sexism in the lit world is more complicated than it may appear. (For more, go check out our own piece on sexism on the internet, or else take a look at this Harvard Divinity School study on how sexism shapes responses to women’s writing.)
Portland-based Literary Arts is offering a total of $59,000 in Fellowships and Book Awards this year for Oregon-based writers and their published works. Past prize recipients have included Wild author Cheryl Strayed, as well as Patrick deWitt for his novel, The Sisters Brothers (which our own Mark O’Connell raved about).
From 1916 to 1925, the University of Mississippi paid William Faulkner for drawings he published in the school newspaper, Ole Miss. At Open Culture, you can see some of these drawings, which struck this writer as peculiarly un-Faulknerian. (Related: our own Nick Moran found recordings of Faulkner on the University of Virginia website.) (h/t The Paris Review)