Over at The Believer, Amy Benfer pens a paean to the serial novels of her youth. “They are the training bras of literature; books that teach young girls how to be older girls before they get there,” Benfer writes.
Before his death of natural causes in 2008, Henry Gustave Molaison had the world’s most famous brain. At 27, Molaison permanently lost the ability to form new memories, which led to him spending the rest of his life in “thirty-second loops of awareness.” In the LRB, Mike Jay reviews a new book on Molaison, Permanent Present Tense.
Variety reports that Universal Pictures has purchased the film rights to Melissa Marr‘s YA fantasy novel Wicked Lovely. Edward Scissorhands screenwriter Caroline Thompson is to adapt the book about a young girl pursued by the king of the fairies. As far as king-of-the-fairies movies go, I’m more interested in what’s happened to the film adaption of Susanna Clarke‘s Jonathan Strange and Mr. Norrell, whose film rights were purchased in 2004.
In The Morning News, Jessica Francis Kane asks where is the line drawn between literary fiction and historical fiction; why is historical fiction maligned; and what happens when you write a novel and one of the characters attends your reading?
Though major publications like The New York Times are still questioning the importance and power of female essayists, Lucy Scholes argues that women are producing “some of the best writing today” and as proof lists several of the best recent essay collections by women in a piece for The Daily Beast. Incidentally, that list includes titles such as The Empathy Exams and The Opposite of Loneliness, both of which were reviewed for The Millions (here and here, respectively).
Here are three pieces about horror in honor of 2012 being the centenary of Bram Stoker’s death. 1) Yazan al-Saadi’s fascinating survey of Arabic horror cinema, which is not only “about what can frighten most Arab audiences, [but is] … also a chronicle of the abnormalities and dysfunctions lacing the underbelly of Arabic cinema as a whole.” 2) Ed Park’s essay on “the audacious enterprise” of Rosemary’s Baby. 3) Stuart Kelly’s entreaty for modern writers of horror to “raise its game.”