The Scottish poet Robert Burns’s “Address to a Haggis” might well be the most famous ode to a food product in the English canon. At The Paris Review Daily, Sadie Stein celebrates Burns’s birthday by reflecting on the poem, which starts off by describing haggis as the “chieftain of the pudding race.”
In April’s Atlantic, Joseph O’Neill tries to separate Philip Roth from his perpetual themes of family, Newark, and Judaism, and from his many authorial personae. The task proves unmanageable, but the attempt sheds light on the man destined to become Roth’s greatest critic: Roth himself.
“We might then see the bear, and judge it best to run, receive the insult and deem it right to strike, but we could not actually feel afraid or angry.” Let’s hope you never get approached by a bear while hiking in the woods with trailblazing psychologist William James, who had some complicated ideas about feelings.
Urmila Seshagiri writes for Public Books about Jhumpa Lahiri’s In Other Words in its original Italian. As she explains it, “the dual-language Italian-English format literalizes the very ‘separazione totale’ that is In altre parole’s subject, reminding us, page by page, of potential losses.” Pair with Hannah Gersen’s Millions review of the book.
“In Rilke’s essay on Auguste Rodin, written in the same year, he describes the sculptor’s visits to the Jardin des Plantes early in the morning to sketch the sleepy animals. And later on, in Rodin’s studio on the Rue de l’Université, he observes a tiny plaster cast of an antique tiger that Rodin treasured: ‘There is a cast of a panther, of Greek workmanship, hardly as big as a hand…. If you look from the front under its body into the space formed by the four powerful soft paws, you seem to be looking into the depths of an Indian stone temple; so huge and all-inclusive does this work become.’” Henri Cole on the poet and a place that inspired his work.