“I think dystopian novels are really about present anxiety, aren’t they?” Chang-rae Lee said in an interview for the Daily Beast’s “How I Write” series. His dystopian novel, On Such a Full Sea, was part of our 2014 book preview.
If you know that Patricia Highsmith wrote The Talented Mr. Ripley, you know that she’s an exceptional authority on the workings of the criminal mind. At The Paris Review Daily, Dan Piepenbring digs up an old interview with the author, in which she describes the act of murder as “the opposite of freedom.” You could also read Tana French on Highsmith’s Strangers on a Train.
“In your earlier novels you sounded so optimistic, but now your books are tinged with despair. Is this fair to say?” Zadie Smith‘s remarks upon accepting the 2016 Welt Literature Prize on November 10th, and the question of whether “multiculturalism” is a failed experiment. Read our review of Smith’s latest novel, Swing Time, here.
George Saunders delivered a little publicized convocation at Syracuse University this year. His main advice to the class of 2013 — be kind. “And so, a prediction, and my heartfelt wish for you: as you get older, your self will diminish and you will grow in love. YOU will gradually be replaced by LOVE,” he said.
Students at the University of California Santa Barbara, Rutgers, Oberlin, and others have been requesting “trigger warning” labels on literature from The Great Gatsby to Huck Finn. In The Guardian, University College London Professor John Mullan snipes, “You might as well put a label on English literature saying: warning – bad stuff happens here.”