“No map can be a perfect representation of reality; every map is an interpretation, which may be why writers are so drawn to them,” Casey N. Cep writes about the fictional map at The New Yorker. Pair with: Our review of Where You Are.
Following up their publication of Charles Portis’s “Motel Life, Lower Reaches” online, the Oxford American brings us a speech in verse by Jay Jennings, the editor of a recent compilation of Portis’s work (which our own Bill Morris reviewed). Jennings delivered an ode to Portis to mark the author winning the Porter Prize Lifetime Achievement Award. Sample quote: “But you read the next book because the main character was from Little Rock,/and you knew no other book where the main character was from Little Rock/and you wanted to write a book about Little Rock.”
With the end of the “Golden Age of TV,” let’s turn back to the show that started it all: Twin Peaks, “a revelation and inspiration for countless writers coming of age in the early 90s.” The new Twin Peaks Project begins with this nostalgic article in The Believer.
“Now I get paid to do something I have loved since I was 4 years old. Other than my family, is there anything else I have loved so unconditionally, for so long?” Georgia Cloepfil in N+1 on the uncompromising, compromised life of the professional female athlete. See also: some thoughts about hosting the World Cup.
Full Stop will be celebrating five years in January as an online literary journal. To commemorate the anniversary, they’re publishing their first-ever book, collecting the very best writing from their website and featuring blurbs by anyone who makes a donation to the magazine. Pair with this Millions piece on the art of blurb writing.