The Onion continues its blockbuster literary coverage with a look into the mind of an ordinary English professor. Her epiphany? No matter what she says, her students will believe her.
Between Page and Screen is a collaboration between book artist and poet Amaranth Borsuk and programmer Brad Bouse that experiments with the border between regular old reading and e-reading. The text is rendered in a code that requires the aid of a web cam to unlock its sentences. The work’s creators have been interviewed at imprint.
People like to think that the more books they read, the better people they’ll become. But is that really true? The answer’s unclear. But one thing does seem apparent: reading more books might make you better at bullying people.
There are many possible answers to the question “where do you write?”, but one of the strangest, and most unexpected, has to be “I don’t know.” At The Rumpus, Brendan Constantine admits that he doesn’t write in any one place, and that his memory for where he’s written before is “completely unreliable.” We surveyed our own staff a couple years ago to see how they answered the question.
Martin Amis’ The Pregnant Widow is out today (Kakutani sez, “remarkably tedious” but The Guardian adds, “Amis might draw comfort from the long and distinguished list of Kakutani’s literary victims.”) Also out, Sebastian Junger’s War, the result of time spent embedded with a platoon of the 173rd Airborne brigade in Afghanistan.
As part of its 2013 literary awards, the PEN American Center will grant nearly $150,000 to writers, editors, and translators through sixteen different awards and fellowships, and for the first time ever they’ve decided to publish their shortlist online. Among the finalists is Sergio De La Pava, whose novel A Naked Singularity is up for the $25,000 PEN/Robert W. Bingham Prize for a debut work. You might recall our own Garth Risk Hallberg’s profile of De La Pava last summer, and you can catch a glimpse of the author’s next book on our Second-Half 2013 Book Preview.