The Onion continues its blockbuster literary coverage with a look into the mind of an ordinary English professor. Her epiphany? No matter what she says, her students will believe her.
Jane Austen Was Born in a Log Cabin
Things Look Up
Recommended Reading: Oliver Burkeman on a new group of optimistic thinkers.
Optical Illusions
When Steven Millhauser calls your work “astonishing,” it’s safe to say you’ve done a pretty good job. Here is book designer Janet Hansen at The Literary Hub on falling in love with a book and taking a risk with its design.
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Oprah’s New Book Club Pick Revealed
Word on the street is that Oprah’s new book club pick will be Say You’re One of Them by Uwem Akpan. So, last chance to get one before the Oprah logo goes on the front. We first wrote about Akpan when he appeared in the 2005 New Yorker debut fiction issue. Say You’re One of Them was also a “Most Anticipated” book in 2008.
Like a Prayer
Thirty years after its initial publication, Don DeLillo’s White Noise is still every bit the hilarious, uncannily prescient classic that everyone believed it was. White nailed the whole “America poisoned by reality and the humming glow of computer screens” angle better than almost anyone. For more DeLillo, here’s what its like to re-read White Noise.
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Can’t Stop Won’t Stop
“I couldn’t put the books down. Now that so many of us complain of diminished attention spans— our own as well as our companions’—it’s worth asking what has made millions of readers willing to suspend their disbelief—to suspend their selves—for thousands of pages.” Why have so many people gone gaga for Ferrante and Knausgaard? We have our own theories as well.
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Springfield, Springfield, It’s a Hell of a Town!
In a big reveal to devout fans like me, The Simpsons creator Matt Groening finally copped to the fictional Springfield’s real-life inspiration: Springfield, Oregon. Of course this matter has been widely pondered before, and was perhaps even answered by Paul Nelson and his cohorts at SNPP.com.
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Seeing Beyond the Story
“When she began the cancer memoir, it was the fact of the writing, more than what was to be written, that mattered.” On Jenny Diski’s way of seeing beyond the story.