Just in case you didn’t know, Mallory Ortberg gives you ways to tell if you’re in a Hemingway novel at The Toast. “Everyone you know respects you. This disgusts you.”
How do you pronounce the name of the titular character from Samuel Beckett’s play, Waiting for Godot? Is it GOD-oh or is it god-OH? Or is it a third variant altogether? While investigating the question for The New York Times, Dave Itzkoff has found that there may not be a correct answer, after all.
Jonathan Franzen's 2011 Kenyon commencement speech, published this weekend in the New York Times, covers love, consumerism, and narcissism in the digital age. If you're concerned with critical reception, looks like you're not a creator of "serious art and literature," in Franzen's eyes.
“Being someone who’s an outsider, there are so many ways in which the world acts on you or assigns narratives to you.” Literary Hub interviews author Azareen Van der Vliet Oloomi about literature, identity, and her new novel, Call Me Zebra. From our archives: Nur Nasreen Ibrahim's review of Call Me Zebra.