It’s already mid-morning, but have you really started writing yet? If you’re procrastinating, it might be because you see your future self as a stranger. Psychologists believe that because we don’t know who we will be years from now, we fail to make good decisions for the long term. Perhaps both your current and future selves can agree you just want to finish that novel already.
“When I want to be ambushed, captured, thrust into a strange and vivid world, and tossed aloft until I cannot stand it, until everything is at stake and life feels almost unbearably vivid, I do something simple. I read short stories.” Electric Literature has posted Ben Marcus‘s “paean to the contemporary American short story,” which doubles as the introduction to New American Stories and does a pretty good job of capturing just what it is we love about reading fiction.
New this week: Pushkin Hills by Sergei Dovlatov; The Divorce Papers by Susan Rieger; Hyde by Daniel Levine; Cambridge by Girl, Interrupted author Susanna Kaysen; Decoded by Mai Jia; Visible City by Tova Mirvis; The Moon Before Morning by W.S. Merwin; and Caribou by Charles Wright.
We submit that beginning a love story with the lede “I never intended to get a tortoise” pretty much guarantees that the reader will read to the end. In Sunday’s New York Times Style section, Caroline Leavitt puts our theory to the test. (If you like her essay, you might want to pre-order her new novel.)