It’s not every day that fans of a novel look forward to a Lifetime movie, but such is the case for fans of Flowers in the Attic, whose 1987 film adaptation left out many of the details that made the book a “rite of passage for teenage girls in the ‘80s.” At Slate, Tammy Oler delves into the book’s importance and its history on the screen.
A few days ago, Amazon announced the launch of their new “@Author” feature for the Kindle, whereby readers can click on an e-book passage and ask the author questions about it directly. I’ve broken out in a cold poststructuralist sweat about this over on The New Yorker’s Book Bench blog.
Leslie Jamison, whose collection Empathy Exams was widely praised on The Millions, has earned a two-book “mega” deal with Little, Brown. The new deal promises to deliver another essay collection entitled Ghost Essays, as well as a work of “narrative nonfiction” entitled Archive Lush. (Bonus: We interviewed Jamison for the site last May.)
“Her only ‘crime’ has been that she has used her ‘freedom of speech’ to attract attention to injustice, because her conscience will not allow her to remain silent.” A campaign calls for the release of Aslı Erdoğan, an acclaimed Turkish novelist currently being held by her government on nebulous charges. Also did you know: our own editor-in-chief, Lydia Kiesling, speaks Turkish?
Last week, I wrote about Caleb Crain’s entry in By Heart, a series at The Atlantic in which prominent writers talk about their favorite passages. Now, & Sons author David Gilbert talks about Moby Dick, which he says is “one of a few books [he’s] dreamed about.”
“Other favorites I’ve found myself overusing include ‘she nodded,’ ‘she raised her eyebrows,’ and ‘she walked home slowly / she slowly walked home.’” Maria Murnane writes for the Amazon Author Insights blog (full disclosure: Amazon helps us keep the lights on around here!) about how to watch out for crutch words.