It’s not every day that fans of a novel look forward to a Lifetime movie, but such is the case for fans of Flowers in the Attic, whose 1987 film adaptation left out many of the details that made the book a “rite of passage for teenage girls in the ‘80s.” At Slate, Tammy Oler delves into the book’s importance and its history on the screen.
Going Back Up There
For Her
Leave it to Roxane Gay to come up with a novel format for an essay on the feminist novel. In the new issue of Dissent, she presents eleven theses on the topic, including references to Toni Morrison’s Beloved, Erica Jong’s Fear of Flying, and Jeanette Winterson’s Oranges Are Not the Only Fruit. Sample quote: “Not every novel that concerns itself with the lives of women is a feminist novel. Fifty Shades of Grey is not a feminist novel.” You could also read our own Edan Lepucki on the problem with feminist anthems.
Who Can You Trust Anymore?
A Russian publisher has stooped to a new low: it added “fake quotes from fake newspapers on the cover of a … novel released this summer.” That’s not all, either. Apparently the publishers are trying to bill the book as a “Swedish” crime novel even though it was actually written by a Russian under a pseudonym.
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The Sorrows of Jodorowsky
Recommended: Andrew O’Hehir on a failed adaptation of Dune.
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Hitch Hearts Hilary
Hitchens elevates Hilary Mantel to “the very first rank of historical novelists” in a long consideration of Wolf Hall.
Never Say Never
We are all Beliebers: the London Review of Books reviews The Love Song of Jonny Valentine, whose author, Teddy Wayne, told us last month that “it misses the point to discard fiction simply because it’s about social media or the celebrity-gossip machine and not Iraq or divorce.”
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The Literary Orphan
Over at The New Inquiry, Alison Kinney writes on narrative opportunity, the true function of the literary orphan, and the rage of the real orphan. This moving piece by Matthew Salesses for The Millions on adoption and searching for oneself in a strange place is a nice complement.
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