What happens when a writer inserts a ghost or monster into a story? At Berfrois, Alexander Stachniak argues that much of our current literature about the uncanny fails to help writers looking to answer this question. (Related: Steve Himmer on his monstrous Mary Poppins dreams.)
“’These issues are constantly being brought to the surface in Roman literature, if you have eyes to see them,’ Beard said. ‘And, of course, having eyes to see them—that’s what the trick is.’” Rebecca Mead writes for the New Yorker about Mary Beard, the Cambridge classicist famous for her BBC programs on Roman life and for her handling of online harassment. For more from Beard, check out her interview with the Los Angeles Review of Books about the importance of the classics, and for more about online negativity, head to Salon‘s article on “Why female writers get trolled the most.”
William Blake may have described its “green and pleasant land” but this week England had traded green for white, as you can see in this NASA photograph (c/o Gizmodo).