What happens when a writer inserts a ghost or monster into a story? At Berfrois, Alexander Stachniak argues that much of our current literature about the uncanny fails to help writers looking to answer this question. (Related: Steve Himmer on his monstrous Mary Poppins dreams.)
When, in 1921, a young French writer working as a translator for James Joyce asked the writer to reveal his schema for Ulysses, Joyce balked, saying that “If I gave it all up immediately, I’d lose my immortality.” What he meant, at least in part, is that he wanted his opus to be relevant in perpetuity. At Full-Stop, Dustin Illingworth reads Ulysses on Twitter and asks: can the book survive the transition from the page to social media? Pair with: Josh Cook on The House of Ulysses by Julian Rios.
It’s fitting in a strange way that the author of Being There is now the subject of an oddball novel-turned-biography. In the Times, Benjamin Markovits reads Jerome Charyn’s book Jerzy, which gives the life of Jerzy Kosinski a treatment he’d likely appreciate.
What are those crazy kids from Vampire Weekend saying in their new single, “Cousins”? It’s a little disappointing, as the beleaguered translators of lyrics at We Listen For You reveal.