@Embarrassment

If you’re not watching Masterpiece Theatre’s toothsome Emma on Sundays, Jane Austen enthusiasts, you should be. No zombies. We promise.

“In a concession to our unsubtle political age, the cliff is doing a good impression of Abraham Lincoln in profile with a vicious orange fulmination exploding from his head.” Looks like Wells Tower had an interesting time in Hawaii.

Two hotly anticipate works by literary masters hit shelves this week. Both were “most anticipated books.” We have The Year of the Flood by Margaret Atwood and Nocturnes by Kazuo Ishiguro. The latter was written about persuasively by Lydia in recent weeks.

“Every single book or painting or piece of music exists and we take from it what we need and love and shape it into another narrative that goes out into the world or stays within us, so it’s this great thing of one narrative piling onto the next. It’s hard to define.” Miriam Toews talks with The Rumpus about her novel All My Puny Sorrows and the distinctions, or lack thereof, between autobiography and fiction.

Writing for Washington Monthly, Ezra Klein lambasts “the weakness of liberal arts education” and talks about how the Ivy League’s failures have led to Wall Street’s gain.