Clickbait Lit
Can You Figure Out Dutch Ovens While You’re at It?
Is Scotch tape Scottish? The Paris Review asks a question that has to be asked.
The Remains of the Screen
“Any reasonably skilled novelist can evoke on the page the texture of memory, drawing the reader into the half-remembered, the blurred edges, the nervous nostalgia, the meandering associations across time and geography. In contrast, flashbacks on screen tend always to be clumsy beasts, announcing their arrival with unwanted fanfare and knocked-over furniture. Why is this?” Kazuo Ishiguro on film, and other novelists’ second-favorite art forms.
NO MA’AM: Were You Aware Of It?
Who’s afraid of Amazonian masterhood?: NO MA’AM is (National Organization of Men Against Amazonian Masterhood).
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Tivoli Gardens
“Marlon James’s management of the voice and the paragraph isn’t what you’d call unpretty, and he’s good at having it both ways on a larger scale too. Reptilian black-ops masterminds out of a Robert Stone novel as well as bumbling CIA bureaucrats, baroque deaths in the bush and casual killings by the side of the road, historical and magic realism, sex and violence and a more ‘sophisticated kind of art’: the guy’s got it all.” This review of James’ A Brief History of Seven Killings from The London Review of Books is well worth the read.
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Flannery’s Home
Over at The Paris Review, Wei Tchou travels to Flannery O’Connor’s farm in Georgia. As she writes, “The charm of Andalusia lies in gestures like this, the ones that urge you into feeling as though you belong. The place isn’t a fossil, it’s a home.” Pair with Nick Rapatrazone’s Millions essay on teaching and learning from “the greatest American writer ever to load up a typewriter.”
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Confessional Criticism
“Contemporary criticism is positively crowded with first-person pronouns, micro-doses of memoir, brief hits of biography. Critics don’t simply wrestle with their assigned cultural object; they wrestle with themselves, as well. Recent examples suggest a spectrum, from reviews that harmlessly kick off with a personal anecdote, to hybrid pieces that blend literary criticism and longform memoir.” On why critics get personal in their essays.
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YiR Alums In Spook
Are you familiar with Spook magazine founded and edited by Jason Parham? It focuses on promoting artists of color and their work. This month the fiction issue, was released and it features work from beloved writers (and Year in Reading alums!) Junot Diaz, Angela Flournoy, and Vinson Cunningham. Along with YiR favorite Justin Torres. You can buy it here! Perfect read for the snowy weekend.